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Moravia visited the U.S. to attend a conference held this past weekend at Yale on the controversial Italian film director Pier Paolo Pasolini...

Author: By Don ANTHONY Summa, | Title: Noted Author Alberto Moravia Lectures in Science Center | 10/28/1980 | See Source »

Barbone's father, Donato Barbone, is the editorial director of Sansoni, part of Rizzoli, the second largest publisher in Italy. Among the other alleged hit men were Paolo Morandini, 21, the son of Il Giorno Film Critic Morando Morandini, and Francesco Giordano, 28, a former advertising staff member at Il Giorno...

Author: /time Magazine | Title: Press: Lethal Friends | 10/27/1980 | See Source »

...idea behind Arcosanti is beguilingly simple: since cities shape society, they should be constructed in ways that accelerate human development. "We can't go back to nature," says Paolo Soleri, 61, the Italian-born architect who is Arcosanti's prime mover and chief guru, by way of exhorting the band of vagrants, zealots and children of the '60s who have followed him into the desert. The city, Soleri argues, is a necessary tool for nudging the human spirit toward the "omega point," a state of highly evolved consciousness. Humanity's enemy is urban sprawl. The Soleri...

Author: /time Magazine | Title: In Arizona: A City Has to Be Built | 8/18/1980 | See Source »

DIED. Annunzio Paolo Mantovani, 74, mood-music maestro whose lush, homogenized sound made him the first musician to sell a million stereo albums in the U.S.; after a prolonged illness; in Tunbridge Wells, England. The Venetian-born, British-educated son of a Covent Garden concertmaster began his own career at 16 as a classical violinist. Though he conducted London's Hotel Metropole Orchestra and his own Tipica Orchestra in concerts, BBC broadcasts and on records in the 1920s, '30s and '40s, and later became music director for Playwright Noel Coward, Mantovani was little known outside of Britain...

Author: /time Magazine | Title: Milestones, Apr. 14, 1980 | 4/14/1980 | See Source »

...pianissimo fairies and ebullient wedding march, makes clear even before the lights go up the director's vision of A Midsummer Night's Dream: counterpoint over harmony. If the music doesn't bring that message home, Epstein has added a brief masque to accompany the overture: before a Paolo Uccello-like tapestry, the helmeted figures of Theseus and Hippolyta have it out with swords (Hippolyta wins...

Author: By Scott A. Rosenberg, | Title: Out of Discord, Concord | 3/31/1980 | See Source »

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