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...construct and run an $800 million plant at Togliattigrad on the Volga. The huge plant is scheduled to begin producing Fiats by early 1970, and work up to an annual output of 600,000. "It is hard for Italian Communists to complain about Agnelli," says Rome University Economist Paolo Sylos-Labini. "After all, if Fiat is good for Russia, why shouldn't it be good for Italy...

Author: /time Magazine | Title: Business: A SOCIETY TRANSFORMED BY INDUSTRY | 1/17/1969 | See Source »

...unavailable for screening: Hollywood, as usual, refused to provide any of its major productions; and Jacques Tali's new comedy, Playtime, is on 70-mm. film, too large for Lincoln Center's projectors. Several works by major directors-notably Francois Truffaut's Stolen Kisses and Pier Paolo Pasolini's Oedipus-were judged unfit...

Author: /time Magazine | Title: Cinema: A Festival of Diamonds and Zircons | 9/27/1968 | See Source »

...fight the bandits, but they know that they will need outside help to do it. The Italian government has dragged its feet even on appointing a commission that was approved by the Chamber of Deputies in Rome last November to look into the causes of banditry. Italian Interior Minister Paolo Taviani, who paid a hurried visit to the island this month, reported that the only cure for banditry is "massive industrialization" and "a radical transformation of the island's pastoral mentality." If that is so, it may take the Sardinians at least another generation to rid their island...

Author: /time Magazine | Title: Italy: Cruel Tyrants | 4/26/1968 | See Source »

...Lolli, who has the backing of such important moneymen as Bank of Italy Governor Dr. Guido Carli and Treasury Minister Emilio Colombo. The Socialists, demanding jobs and economic power as the price for their 1963 split with the Communists and alliance with the Christian Democrats, urged the appointment of Paolo Pagliazzi, 58, a former professor who is currently the bank's real estate loan expert...

Author: /time Magazine | Title: Italy: Battle at the Bank | 12/2/1966 | See Source »

...Director Paolo Spinola seems to have realized he had a non-film on his hands. It opens with four minutes of enigmatic action, no dialogue; this may be Spinola's deliberate smoke-screen intended to distract us from the great poverty of visual narrative forthcoming. In like manner, every bogged-down scene has people fiddle with things to keep the camera amused. They light infinite cigarettes, they jerk curtain cords, while they talk, talk, and talk...

Author: By Jeremy W. Heist, | Title: La Fuga | 10/24/1966 | See Source »

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