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...apart for the work of children in state-supported institutions. Some of their output, particularly the sculpture, was better than that of the adults. Outstanding were a plaster head of a miner by 15-year-old Mike Mosco; a stone buffalo by 11-year-old Antony de Paolo, who was run over and killed by an automobile few weeks ago, and a watercolor of a vixenish young lady in a little veil, painted by 10-year-old Donald Liguore of the Boys' Welcome Home and entitled Going to Town...

Author: /time Magazine | Title: Art: Relief Work | 9/21/1936 | See Source »

...contrast with Peter de Paolo, winner of the 1925 race who was offered $100 a minute for a few words over the radio and talked for a full ten, Winner Meyer said: "It was a very nice ride, very nice...

Author: /time Magazine | Title: Sport: Lead Foot | 6/8/1936 | See Source »

...soldier, listen to with greatest respect from Marshal Badoglio, who was named last week Commander in Chief of all Italy's forces in East Africa and High Commissioner for her colonies of Eritrea and Italian Somaliland. Two days after his appointment Marshal Badoglio and his two officer sons, Paolo and Mario, took ship for Africa...

Author: /time Magazine | Title: ITALY: Answer to Sanctions | 11/25/1935 | See Source »

...Dead. Knowing only a little of Abyssinia, its blazing heat and freezing nights, its mosquito-infested swamps, fierce tribesmen, arid plains and almost impregnable mountains, what benefits then does Italy expect to get from its subjugation? Italian Finance Minister Count Paolo Thaon di Revel announced last week that the Italian expedition to Abyssinia had already cost the Fascist Government $50,000,000, and Italian troops have not yet crossed the frontier. Fascist bigwigs divide the Abyssinian advantages of the campaign into two groups, sentimental and practical...

Author: /time Magazine | Title: ITALY-ABYSSINIA: Intolerable Presumption! | 5/27/1935 | See Source »

...carpeted Ehrich-Newhouse Galleries of Manhattan held an important, impressive display of landscapes last week. Reviewing the development of that field of art from the 16th to the 19th Century, they were able to find in their vaults such impressive masterpieces as a St. Jerome in the Wilderness by Paolo Veronese, a murky Spanish scene by Murillo. a rainy day in the English hills by Gainsborough, not to mention Constables, Cromes, and a fine Corot of the best period. The show represented a great deal of money, but critics and visitors neglected it for the corridor and side rooms where...

Author: /time Magazine | Title: Art: Mime Enters | 12/17/1934 | See Source »

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