Word: paolo
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Mascots were plentiful. Peter de Paolo drove this year, as usual, with his small son's first pair of shoes wired to the front springs...
...game was not marred with a single penalty. Captain S.W. Keck '32 played his customarily good game for the Crimson, caging four counters, while Paolo made a good showing for the visitors...
...Paolo and Francesca. As a picture, perhaps, with its conventional figures appearing in stained glass colors, this 32-year-old idyll by Stephen Phillips may have a place in dramatic history. However, its lack of semblance to life makes its revival now by so fine an actress as Jane Cowl a little difficult to understand. To interest the modern playgoer in the doom of these two familiar poetic figures, a little more of Dante's fire is needed...
...story of the star-crossed love of Paolo for his brother's wife has, however, a certain static lustre in the Phillips version, and Miss Cowl is radiant in her picturization of what is, after all, a minor role. Philip Merivale is a simple and direct Paolo and Guy Standing gives to Giovanni all the sinister quality the verse will allow. Katherine Emmet's Lucrezie also is excellent. But it is not easy to imagine anyone becoming excited enough about it all to telephone his favorite ticket speculator...
...story with golden shadows of a picturesque despair. Now, under a title which is highly absurd and which has reference to nothing except the box-offices of small-town theatres, with a background of South American rather than Italian roads and castles, is told the medieval legend of Paolo and Francesca. A huge, hunchbacked, hirsute grandee marries a small and beautiful lady who loves his handsome brother. When the hunchback goes away to war, love for each other overcomes pity and discretion in the wife and brother. Told, by a villainous clown, of their misconduct, the hunchback gallops home...