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...group than all of their forerunners put together. Their grand old man is Henry Moore (TIME, Sept. 21), but other stars of the movement are still in their 20s and 30s. Among the youngest and newest to fame are two modelers of heavily textured, postsurrealist, gloomily playful figures: Eduardo Paolozzi, 35, and Elisabeth Frink...

Author: /time Magazine | Title: Art: Blue Britons | 12/14/1959 | See Source »

...Italian immigrants, Paolozzi was born in Edinburgh, but got his start as an artist by chumming with surrealists in Paris. He prowls junk yards and factory dumps for his materials, which he assembles elaborately. Paolozzi begins by pressing his bits of industrial detritus into soft clay, which he then fills with soft wax. Then he combines hundreds of small wax forms to build up his figures. A cogwheel may do for a navel, a phonograph pickup for an arm. Finally cast in bronze, they become mysterious idols of fusion and confusion. Explains Paolozzi: "My occupation can be described...

Author: /time Magazine | Title: Art: Blue Britons | 12/14/1959 | See Source »

...monsters from Paolozzi's studio bring close to $10,000, and the august British Council has picked 30 of his works as Britain's only sculpture entry in next year's Venice Biennale. They represent man scrambled, irrevocably...

Author: /time Magazine | Title: Art: Blue Britons | 12/14/1959 | See Source »

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