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...Papa John Kolstad, Dave Thompson--Back Room at the Idler...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar: April 14 - April 20 | 4/14/1977 | See Source »

...hard stuff. At Back Room at the Idler (495-1551), Reeve Little (Sunday) and Paul Rishell (Tuesday) are laid-back folkies; Jon McAuliffe (tonight), Papa John Kolstad (Friday) and Chris Rhodes and Koko Dee (Monday) are bluesy; and Derek Huntington (Saturday) is pot luck. Music starts every night around...

Author: By Harry W. Printz, | Title: FOLK | 4/14/1977 | See Source »

...side of free speech." So saying, Judge J. Edward Lumbard of the U.S. Second Circuit Court of Appeals snatched back $125,002 that Author A.E. Hotchner thought he had won last year in a libel suit. Hotchner, a longtime friend of Ernest Hemingway and writer of the memoir Papa Hemingway, had successfully sued Doubleday & Co. for publishing Spanish Author José Luis Castillo-Puche's opinion in yet another Hemingway memoir that Hotchner was a "toady," a "hypocrite" and an "exploiter" of Hemingway's friendship. But because Hotchner and his lawyers failed to prove "reckless disregard...

Author: /time Magazine | Title: People, Apr. 4, 1977 | 4/4/1977 | See Source »

...full-length off-Broadway entry, Gemini, he seems most at ease behind the mask of comedy. The setting is a birthday-party reunion in a South Philadelphia backyard between Papa Geminiani (Danny Aiello), who proudly displays the stigmata of the lower middle class, and his 21-year-old Harvard-educated son, Francis (Robert Picardo). To make the culture gap wider, two of Francis' friends drop in unexpectedly from Cambridge, a brother-sister duo of unblemished Wasp credentials-or "white people" in Papa's olive-pure lingo. Francis goes into a panic of sexual ambivalence. The sister (Carol Potter...

Author: /time Magazine | Title: The Theater: Stage Animal on the Prowl | 3/28/1977 | See Source »

Hemingway and Hollywood have never been a very good match. The moviemakers have tended to play up Papa's most blatant streaks in mawkish romances (A Farewell to Arms), pseudo-profound he-man heroics (For Whom the Bell Tolls) and farragoes of exotic drinks, sports and angst (The Sun Also Rises). The Hemingway adaptation with the most spark left in it today is To Have and Have Not, in which Director Howard Hawks tossed out most of the original novel and wrenched the rest into a racy adventure yarn around Bogart and Bacall...

Author: /time Magazine | Title: Cinema: The Big One Gets Away Again | 3/21/1977 | See Source »

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