Word: paper
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Dates: during 1960-1969
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Making Sense. The Times plans to spend $9,500,000 a year on its satellite edition. A good portion of this will be spent on remaking about 30% of the paper each day in Costa Mesa- al though the staff operates with an un for the derstanding sake of that it will remaking. not The remake aim is just to give suburbanites and exurbamtes the feeling that they are reading a world-minded paper with a home-town emphasis...
...Vineyard scenery as colored clay cliffs and salt marshes. Its present editor, Henry Hough, 71, who bought it in 1920, is a regional novelist (Lament for a City) and folklorist (Thoreau of Walden). And he has never ceased to celebrate the charms of the Vineyard in his paper. "It ought to be the function of the newspaper," wrote Hough, who will continue as editor, "to keep guard and watch over the singularities of environment, heritage, custom, and response to challenges...
...that the Gazette watches only over its own citizenry. In summer, the population swells from 6,000 to some 50,000, and the paper views the comings and goings of these fair-weather residents with a wry Yankee eye. Max Eastman, Saul Bellow, Thomas Hart Benton, James Cagney, Leonard Bernstein are the stuff of summer gossip. Such is its relish for celebrities that the Gazette mixes fact' with fantasy in breezy abandon. One memorable item revealed that "Truman Capote and Geraldine Chaplin have checked into the bridal suite of the Menemsha...
Last Frontier. Cheap girlie magazines have always catered to prurient interests, but Evergreen is not of that ilk. It was started in 1957 as a paperbound book, publishing such unknown authors as Edward Albee, James Purdy, Samuel Beckett, Allen Ginsberg. In 1964, it was turned into a slick-paper magazine with striking art work and lots of color; its scatology is elegantly framed. With a circulation of some 160,000, the magazine recently changed from a bimonthly to a monthly...
...Dyck. As portrayed by John Clem Clarke, 30, a former football hero from Oregon State, these are old masters with a new twist. For his first show, which opened at Manhattan's Kornblee Gallery last week, Clarke projected color slides of famous paintings onto large sheets of heavy paper, then clipped out stencils of their shapes, then sprayed layers of paint through them onto a canvas in luscious, simplified color arrangements...