Word: paperback
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Dates: during 2000-2009
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...with God by Will Eisner (DC Comics; 1978) This book defined the term "graphic novel," though it actually consists of four short stories about life in working class tenements. Eisner, already a pioneer thanks to his "Spirit" series of urban adventures, here introduced the concept of an original trade paperback containing serious, drawn literature...
...Julius Knipl, Real Estate Photographer: The Beauty Supply District by Ben Katchor (Pantheon; 2000) Although Katchor's long-form "Jew of New York" better qualifies as a graphic novel, I prefer his collected strips in the "Julius Knipl" series. Freshly released in paperback, this third volume contains more of Katchor's picture-poem odes to non-existent urban districts and fantastical people like the radiator musician...
Summer Blonde by Adrian Tomine (Drawn & Quarterly; 2002) Tomine is comix's tartest short story writer, exploring the bleak lives of aging West Coast Gen-Xers. Newly reprinted in paperback, this collection of his work includes a story of a woman who makes desperate prank phone calls to the booth outside her window and another about a sad obsession over a blonde shop girl. Full Review
...TIME.comix responds: For the record, Will Eisner confirmed with TIME.comix that the words "A Graphic Novel" appeared on the cover of the paperback edition of "A Contract with God," but not the hardcover, which had no dust jacket. The paperback was published in 1978 simultaneously with the hardcover, says Eisner, with a larger print run. In fact Eisner acknowledges that the term "graphic novel" had been coined prior to his book. But, he says, "I had not known at the time that someone had used that term before." Nor does he take credit for creating the first graphic book. Eisner...
Hornby’s latest work, Songbook, recently published in paperback, zeroes in on two key themes in Hornby’s previous novels: music and the art of being a fan. Music has occupied a central place in all of his work. In both High Fidelity and About a Boy, the narrators, who bear more than a passing resemblance to Hornby himself, use music as a tool to live by, measuring their lives in songs. Dispensing with the fictional complications of a novel, Hornby has now brought himself directly into his writing...