Word: papered
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Dates: during 1950-1959
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From the standpoint of the church, nothing in the Catholic press is official except the quoted pronouncements of its hierarchy. "A Catholic paper," editorialized America recently, "is not a little Pravda." Many of the diocesan papers tend to reflect their bishops' views, but even that does not always give such views religious weight. Though editors are supposed to apply a spiritual yardstick in making their worldly judgments, the Catholic press proves in practice to be catholic-not only diverse in its views but sometimes so bitterly at odds in its own fold that Bishop Dwyer cautioned last week: "There...
...Father Raymond T. Bosler, editor of the Indiana Catholic and Record (circ. 35,122), has backed the American Civil Liberties Union in a local fight against the American Legion, once attacked Spain's hard-bitten Cardinal Segura for his crackdown on Protestants. The paper's editorial was headed: THE CARDINAL CALLED THE COPS 400 YEARS TOO LATE. The only comment Editor Bosler got from Archbishop Paul C. Schulte: "I thought your headline was a little flippant...
Increasingly, Catholic papers try to keep their readers straight on what is official and what is not. The Boston Pilot, founded in 1829, the country's oldest Catholic paper, carries an official slug over such material as pastoral letters and directives from the archbishop. At the head of its editorial page, the Indiana Catholic and Record runs a line frequently heard in Catholic journalism: "The opinions expressed [here] represent a Catholic point of view-not necessarily THE Catholic point of view...
...brothel.* In my opinion it's the perfect milieu for an artist to work in. The place is quiet during the morning hours, which is the best time of day to work. My own experience has been that the tools I need for my trade are paper, tobacco, food and a little whiskey...
Henri, hero of The Mandarins, is a writer and newspaper editor who is under Robert's intellectual thumb. His chief problem: how to keep his struggling paper out of the hands of both capitalists and Communists. Most of his crowd is bitterly anti-U.S., strongly pro-Russian. But Henri is also a man of conscience. When he learns about the Russian forced-labor camps, he becomes uneasy, and almost breaks with Robert. While all this ideological clatter goes on, archaically reminiscent of Manhattan's literary climate in the '30s, Anne goes off to the U.S. (Simone...