Word: papered
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Dates: during 1990-1999
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...Harvard comes out mentally prepared for the contest, which is likely following the heartbreaking losses of the past two weeks, this game looks to be just as much of a mismatch on the field as it is on paper...
...really care about Last Days of Disco?), Smith began a series of post-yuppie angst-noir with 1994's Clerks, a grimly hilarious movie that combined Seinfeld's inane blabber and outlandishly tragicomic situations with more angst than you could scrub out with a bar of Fight Club's Paper Street soap. After that came Mallrats and Chasing Amy, more dismally delightful chronicles of the post-yuppie malaise, all starring the director (in a requisite self-referential flourish) as the omnipresent Silent Bob. Not content with Stillman's trilogy concept, Smith has spawned an entire cottage industry with this year...
International controversy erupted after Chavunduka, editor of the weekly Zimbabwe Standard, and Ray Choto, a reporter for the paper, were illegally arrested and tortured by members of the military for refusing to divulge their sources for a December 1998 story on an attempted coup d'etat by the Zimbabwe National Army...
...Edmund Morris has just ordered scrambled eggs and ham, a blueberry muffin and a cappuccino. "I think the cappuccino has all the necessary ingredients of the continuation of life," he'll assert later in the day, and insists on buying me one. The cappuccino is handed to us in paper cups, having shot, fully formed, out of a large brown machine with the push of a finger. If Mr. Morris noticed this lack of sophistication, which, considering the level of observation shown in his book, I'm sure he did, he didn't comment. He's much too polite...
...really care about Last Days of Disco?), Smith began a series of post-yuppie angst-noir with 1994's Clerks, a grimly hilarious movie that combined Seinfeld's inane blabber and outlandishly tragicomic situations with more angst than you could scrub out with a bar of Fight Club's Paper Street soap. After that came Mallrats and Chasing Amy, more dismally delightful chronicles of the post-yuppie malaise, all starring the director (in a requisite self-referential flourish) as the omnipresent Silent Bob. Not content with Stillman's trilogy concept, Smith has spawned an entire cottage industry with this year...