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...wrote Count Karl von Spreti, 62, to his son Alessandro, 11. "My health is good, my heart is as stout as the Bühler Höhe [a well-known hill in Bavaria's Black Forest]. I am treated with respect and courtesy. I embrace you fondly. Papi." Last week, shortly after he wrote that note, the ambassador was murdered with a bullet behind the right...

Author: /time Magazine | Title: Latin America: The Helpless Hostages | 4/20/1970 | See Source »

...favorite right up to last week. Aboard the gunboat, he penciled a fatuous billetdoux: "My dear baby girl ... I miss you every day, as I do my little dogs . . . Many kisses and many desires. Until I see you soon, Juan D. Perón." Another time he signed "Papi," which translates roughly as Daddykins...

Author: /time Magazine | Title: The Hemisphere: Daddykins & Nelly | 10/10/1955 | See Source »

...sweetly stirring performance of Gluck's Orpheus and Eurydice. Another great opera man. Sir Thomas Beecham, will be in the saddle for Carmen, Le Coq d'Or and Bach's Phoebus and Pan. The Met had planned to shake up its two Italian veterans, Gennaro Papi and Ettore Panizza, giving to each some operas that the other had been leading. But just before last week's Traviata, Signor Papi dropped dead of heart disease. Panizza took his place...

Author: /time Magazine | Title: Music: At the Met | 12/8/1941 | See Source »

Died. Gennaro Papi, 54, conductor of Italian repertoire for the Metropolitan Opera; of a heart attack; in Manhattan. He joined the Metropolitan in 1913 as assistant to Toscanini, coached stars of opera's "golden age"-Caruso, Scotti, Geraldine Farrar, Frances Alda. He was made conductor in 1916, served in the post for ten years, returned to it ten years later from conducting the Chicago and Ravinia Operas. He died a few hours before he was to have conducted Traviata, his first opera of this season...

Author: /time Magazine | Title: Milestones, Dec. 8, 1941 | 12/8/1941 | See Source »

...Bidu Sayao as Manon, Richard Crooks as Des Grieux, John Brownlee as Lescaut dished up a digestible version of Massenet's very Gallic score. Bruna Castagna, whose buxom, pleasant Carmen is the best Manhattanites have heard since the days of Geraldine Farrar, had a nearspat with Conductor Gennaro Papi when he tried to slow down her singing of the Habanera. But the incident passed off in mutual glares...

Author: /time Magazine | Title: Music: Metropolitan Opera | 12/13/1937 | See Source »

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