Word: papier
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Dates: during 1960-1969
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...rally began shortly after 4 p. m. when a coalition of the Yippies, the Weathermen, the Mad Dogs, and small anarchist groups from New York City gathered around huge papier mache figures of Spiro Agnew and other men in the government. A march led by red, blue and yellow Viet Cong flags began circling the Justice Department building from its front door on Constitution Ave. The group had a permit to rally from...
...1840s, says Jane Jacobs, Manchester looked like a model of progress and modernity. It had become a rich, gigantic industrial machine for cranking out textiles. By contrast, Birmingham then seemed outmoded. It was "a muddle of oddments," where myriad small firms busily made saddles, harnesses, tools, buttons, guns, jewelry, papier-mâché trays. What happened? When other cities began producing their own textiles, proud Manchester withered. But, Jane Jacobs delightedly points out, poky Birmingham's underlying diversity allowed it to adapt creatively to changing technologies and markets...
...politicians of the Louis Philippe government dominate the exhibit. Here Daumier's style stands out. Pinching the features into blobs and twists, he skillfully expresses a particular miser or nearsighted fool. Originally molded in unbaked clay and painted as studies for satirical lithographic portraits, these small caricatures look like papier mache puppet heads. Four of the 36 original brown heads are exhibited here for the first time in the United States. The other 32 politicians appear at the Fogg in bronze or terra cotta casts...
Today, though, there is a growing interest in Rossini, and last week Milan's La Scala revived one of his most difficult operas: The Siege of Corinth. A papier-mache tragedy about the Turkish conquest of Greece in the 15th century, it was not well liked at its Naples premiere in 1820; the audience expected Rossini's usual opera buffa, not blood and fireworks. The work fared little better elsewhere in Italy. Audiences found it too moralistic; singers were terrorized by its complexities. In fact, it was last heard at La Scala more than a century...
...observed poor and pitiable people. Recent French novels, on the other hand, have abjured any attempt to examine man on a Proustian or Balzac -ian scale in favor of esthetic gimcrackery, narrow psychological study and freakish private experiment. As a literary construction, Castle to Castle is equivocal-a hateful papier-mache funfair castle inhabited by real monsters...