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...have been Munich's gaudiest, bawdiest Fasching ever. In preparation for the pre-Lenten bacchanal that traditionally enlivens the gray Bavarian midwinter, scores of halls had been decorated with tinfoil, blinking lights, papier-mache figures of fun, and corners intentionally left dark. No fewer than seven carnival princes and princesses had been named, complete with courts and shapely girl guards. All was ready for Milnchner to abandon themselves, as they always had, to a month of drinking, swiving-judges do not consider adultery grounds for divorce during Fasching-and foolery unequaled anywhere else in Europe...

Author: /time Magazine | Title: WEST GERMANY: Farewell to Fasching? | 2/21/1972 | See Source »

...GREY LADY CANTATA. Huge papier-mâché puppets do a silent, hierophantic dance of death, as if Picasso's Guernica were unfolding in slow motion...

Author: /time Magazine | Title: The Theater: 1971's Ten Best Plays | 1/3/1972 | See Source »

...Superstar director. He turned Futz, nominally a modest little play about bestiality, into a Dionysian celebration with actors writhing all over the stage in transports of pagan ecstasy. In Hair O'Horgan set a similar kind of group grope to a rock upbeat. In Lenny, a crowd of gigantic papier-mâché figures symbolizing his fantasies loom over the doomed comic Lenny Bruce. In Jesus Christ Superstar, O'Horgan has characters descend grandly from on high?now in a huge mysterious whalebone basket, now on a platform designed like a mammoth's skull. O'Horgan explains simply: "I like...

Author: /time Magazine | Title: Show Business: The Cerebral Trip Is Over | 10/25/1971 | See Source »

...Stonehenge unhinged with plumbing troubles," griped one local critic. Another called it "the funeral of beauty in art," and an environmental vigilante committee proposed to bring to the dedication a large papier-mache dog that would expel a mass of papier-mache feces at the climax of the ceremony...

Author: /time Magazine | Title: Art: War Whoop for Freedom | 5/3/1971 | See Source »

Imagine the ancient stone heads on Easter Island having bodies. Suppose them transformed into papier-mâché puppets eight to ten feet tall. Picture these puppets moving as if they were in some prehistoric slow-motion silent film. This is hierophantic theater, as old as time, as young as the infancy of man. To see The Grey Lady Cantata as performed by the Bread and Puppet Theater is rather like waiting in the mystic whispering groves of Delphi to hear the oracle speak. Despite the primordial trappings, this virtual dumb show is as contemporary as tomorrow...

Author: /time Magazine | Title: The Theater: Dance of Death | 3/8/1971 | See Source »

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