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When Gerald Scarfe announced himself in the outer office of John Kenneth Galbraith at Harvard, the professor's secretary gasped: "Aren't you the artist who did the Beatles?" Rather pleased at the recognition, Scarfe admitted that he was indeed the creator of the papier-máché figures that brightened TIME'S cover on Sept. 22. To his dismay, the worried young lady whisked off, saying that she had to "warn" her boss. When Scarfe was finally ushered in to meet his subject, the long, lean economist rumbled: "The last thing I want to give...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 16, 1968 | 2/16/1968 | See Source »

What startled the casual observer was not exactly Ringo; it was some thing a good bit farther out. It was the wire, paint, and papier-mache mock-up that Scarfe had put together for last week's TIME cover. The rest of the boys - George, Paul and John - were crammed into the Jag's back seat, and Scarfe was delivering them to TIME'S office on New Bond Street. There they were set up just as they were photographed for the cover, and put on display in a main floor window. They have been stopping crowds ever...

Author: /time Magazine | Title: A Letter From The Publisher: Sep. 29, 1967 | 9/29/1967 | See Source »

...Gerald Scarfe, 31, the British artist-cartoonist-satirist whose grotesque caricatures in the British press (TIME, July 15, 1966) have been the nemesis of the high, mighty and famous, from Lyndon Johnson to Queen Elizabeth. For TIME, Scarfe went beyond his usual two-dimensional pen and chose special weapons: papier-mâché, paste, wire, sticks and watercolors...

Author: /time Magazine | Title: A Letter From The Publisher: Sep. 22, 1967 | 9/22/1967 | See Source »

Scarfe started by sketching Ringo at the drummer's London suburban home, raced back to his Thames-side studio to construct a likeness on a wire frame with papier-mâché made of old newspapers soaked in paste. He followed the same process for all four. The figures are life-sized head-and-torso, with paper-and-glue eyeballs inserted from the rear of the framework, hair made of scissor-fringed strips of the London Daily Mail, and a final facial of thin paste and watercolor. Each unclad figure took two days to build...

Author: /time Magazine | Title: A Letter From The Publisher: Sep. 22, 1967 | 9/22/1967 | See Source »

...Jewish characters talk endlessly about history and suffering, Catholics indulge in petty lies and machinations. One Jewish character says wisely: "Better he be a good French Catholic than a neurotic Israeli Jew," but only one priest knows right from wrong. Though modeled on St. Peter, he proves to be papier-mache instead of rock...

Author: /time Magazine | Title: Books: The Body Snatchers | 9/15/1967 | See Source »

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