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Penn (0-3) wasn't supposed to have much this year, but Columbia (0-2-1) had Archie Roberts. This alone was supposed to be enough to win a few games, but so far it hasn't been. Columbia's papier-mache line has been betraying Archie, exposing him to marauding enemy linemen. Even if Columbia should pull itself together and win all its remaining games, a contender's status is all but out of the question...

Author: By Donald E. Graham, | Title: Ivy League Football Race Unscrambles Itself Slowly | 10/21/1964 | See Source »

Finally, the Faculty caricatures, all but tour of full professors, convey no sense either that Faculty members have anything but papier mache between their ears or that this is what the Harvard student meets in his classes at Harvard. Why doesn't the Yearbook look in detail at a professor or two to show that the life of intellect is worthwhile (or worthless, as the case may be)? Why not a feature on the too-familiar teaching fellow, what his problems are and how he solves them...

Author: By Joel E. Cohen, | Title: Yearbook 328 | 5/19/1964 | See Source »

...party for his 400th birthday. Present: Antonio Frasconi's woodcut portrait of the poet; John Sennhauser's collage soliloquy, To Be or Not To Be; Philip Evergood's charcoal-and-wash of Macbeth and the witches; Mel Silverman's Will plastered against a 16th century papier-mache London; 16 other artists. Through April...

Author: /time Magazine | Title: Art: Art in New York: Apr. 10, 1964 | 4/10/1964 | See Source »

...Guinea. And he sometimes exhibits things just to keep Houston up to date with the latest fads. Last week, in the big hall designed by Mies van der Rohe that forms a wing of the original Greek revival building, he was showing something called Gorgo in New York-a papier-mache dinosaur walking over a city of toy cars and trains, a papier-mache serpent crushing a rocking horse, plus gears of a clock, a half-full milk carton, a pot of roses. It was made by Sculptress Niki de Saint-Phalle, who finished the job by spraying it white...

Author: /time Magazine | Title: Art: Sweeney's Way | 6/14/1963 | See Source »

Shostakovich meekly labeled his next symphony "A Soviet Artist's Reply to Just Criticism." Now, in its first American recording, the Fourth is worth hearing mainly to find out what all the fuss was about. Whatever its polemic content may be, it sounds clumsily Mahlerian and full of papier-maché grandeur...

Author: /time Magazine | Title: Cinema: May 24, 1963 | 5/24/1963 | See Source »

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