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...controlled by an impressive set of electronic equipment behind the scenes. Three minutes and ten seconds after the deep, resonant voice on the sound track began the story of Gethsemane came the cue: "He turned to his disciples and they were sleeping"; at this point the head of the papier-mache figure of Christ slowly turned. "Where were the multitudes and sick he had healed?" intoned the narrator, and Christ's head began to rise. "And an angel appeared," said the voice. Suddenly a spotlight flashed on to catch a daub of silicone paint on one of the figure...

Author: /time Magazine | Title: Religion: In the Garden | 3/23/1959 | See Source »

John C. Beck's set appears astonishingly spacious for Agassiz. Under Beck's tricky and effective lighting it looked quite impressive, and would have been more so had not its walls looked as if they were made of papier-mache. Some of Beck's costumes are gorgeous, and generally the show is by far the best-looking to appear in Cambridge for some time. Under the musical directorship of Arthur S. Waldstein it sounds as well as it looks, but Waldstein is a churl for not allowing lots of encores...

Author: By Julius Novick, | Title: Yeomen of the Guard | 12/11/1958 | See Source »

Rudolf Bing, general manager of New York's Metropolitan Opera Company, is not given to discussing his dreams, but it has been whispered that he is haunted by a recurring nightmare. In the dream he is Prince Paris, lost atop a papier-mâché Mount Ida on the Met's stage. He is surrounded by three goddesses who insist that he choose the fairest of them by handing her an apple (Golden Delicious, supplied by Sherry's Restaurant). The goddesses, of course, are the three reigning sopranos who, season after season, vie for favor...

Author: /time Magazine | Title: Music: Diva Serena | 11/3/1958 | See Source »

There wasn't any door for the damned to hammer on, and the Second Empire mantlepiece "bronze atrocity" was still in the papier mache stage, and two stark spotlights caught the players in a cross-fire. But these things would be rectified by the final rehearsal. The drama itself is an achievement...

Author: By John D. Leonard, | Title: No Exit | 8/14/1958 | See Source »

Macabre's Castle has no monopoly on the city or the styx. All over the U.S., promoters last week were filling lobbies with coffins, skeletons, papier-mâché tombstones, skulls with blinking eyes. "Nurses" took patrons' blood pressure, gave them "Courage Cocktails" of tomato juice and Tabasco sauce. Red footprints led down sidewalks to theaters, and bloodstains decorated the walls...

Author: /time Magazine | Title: Cinema: Stiff Competitors | 8/4/1958 | See Source »

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