Word: paradiso
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Dates: during 1950-1959
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...housing starts will ease off to 1,200,000 from 1,350,000 this year, said Paradiso, because of tight money. But the demand for appliances and furniture will continue to go up. Instead of buying a new house, more consumers will fix up the present one, leading to an increase in remodeling expenditures...
...billion annually, a new record, and industrial production was back up to 142 on FRB's index, only four points below the alltime peak. Where to in 1959? As usual, the forecasters see clearly for six months: a gradual, continuing recovery without explosive boom. Says Louis J. Paradiso, chief statistician for the Commerce Department: "1959 will be moderate. The graph will go back to saucer form. The momentum of the recovery will show a very good rate of increase in the first half, with the second half showing no acceleration...
...Hotel Paradiso Bert Lahr is married to a battle-ax, and somehow gets out from under her thumb to seek sin with a beautiful blonde lady. In due course, for one reason or another, he and the lady, her husband's nephew and a lady's maid, the husband himself, and a family friend with four innocent golden-haired daughters, are all cheek-by-jowl or better in a Paris fleabag. Upstairs and down they scamper, in and out of rooms they dash, till the gendarmes come rushing in at the second-act curtain...
...entertainment, Hotel Paradiso is a bit in-and-out itself. The show has lively spurts and is attractively dotted with mad scenes. Osbert Lancaster's expertly ghastly sets are part of the fun, and the play's various set-tos are here and there funny. The whole evening is a brightly instructive exhibit of the mechanics of French farce; it is never quite an occasion of full-bodied merriment...
...being entirely right for it. His clowning has always a certain human appeal; his zany genius is rooted in character and a little disrupted by plot. His own timing is flawless, but too personal for pacing flat, stylized farce. He doubtless gives the play something extra. But if Hotel Paradiso lacks the sustained period-farce verve of last season's The Matchmaker, it may partly be because Lahr is not Ruth Gordon's equal as a center tent-pole, either in the sturdiness with which she held whole situations upright, or in the barbaric magnificence with which...