Word: paradiso
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...France's most esteemed actors, who lent an earthy, avuncular charm to more than 125 movies over a half century; in Paris. A two-time winner of the César award (France's Oscar), he gained global fans as a weary film projectionist in 1988's Cinema Paradiso and as the poet Pablo Neruda in the 1994 hit Il Postino...
...France's most esteemed actors, who lent an earthy, avuncular charm to more than 125 movies over a half century; in Paris. A two-time winner of the César award (France's Oscar), he gained global fans as a weary film projectionist in 1988's Cinema Paradiso and as the poet Pablo Neruda in the 1994 hit Il Postino...
...year-old Italian quit his job and left his home in Turin in 1991, after finding his heaven on earth in Indonesia. In the 15 years since, the former insurance broker and his wife, Federica, have turned 0.9 km of pristine beach on the remote island of Cubadak into Paradiso Village - the best diving resort in the area, and a bucolic getaway for anyone seeking to escape the harried pace of urban life. "On Cubadak, we are all about nature," says Casalegno. Paradiso's feeling of spectacular isolation is belied by its relative accessibility - a fact that has made...
...last 15 or 20 years, the few foreign-language films that have made any noise at the U.S. box office were not daring at all. Cinema Paradiso, Like Water for Chocolate, The Postman and their ilk gave viewers the warm fuzzies. They owed more to traditional Hollywood romantic dramas than to the trailblazing experiments of Bergman, Godard and Antonioni. As for the foreign films that critics championed, these tended to be minimalist to the point of inertia: static-camera portraits of glum people doing not very much...
With audiences hostile to innovation, and in the absence of franchise directors, distributors look for movies that stress heart over art. The three breakout foreign-language hits of the '90s--Cinema Paradiso and Il Postino from Italy and Like Water for Chocolate from Mexico--are nice romantic dramas about love and loss. They were brilliantly promoted by Miramax. But they didn't extend film language as Fellini's or Godard's films did; instead, they gave audiences that warm-puppy feeling. Any Disney movie can do that. So can many of the American independent films that have filled...