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...There's no denying there's a certain look to Paul's shows, a sort of homosexual, mylar, glitzy look," says Peter Howard '84, a former HRDC board member who has acted for both directors. "It's the old paradox of trying on the one hand to attract an audience, to make them want to come back to the theater, and at the same time to threaten them and change their lives. Paul tends to be more confrontational...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

...common wisdom among theater watchers is that Rauch leans toward the first, appealing side of Howard's paradox, while Warner is more likely to shock and horrify Warner embraces and encourages this interpretation. "Theater is change, it's revolution," he says. "It should frighten people, change them so they don't know what to expect." His shows have sometimes drawn flak from offended critics for their heavy emphasis on sex, particularly bisexuality and androgyny--which he calls "crucial" for breaking down preconceptions, citing David Bowie as an artistic hero and model. The "Paul aesthetic" also includes mylar--greatly in evidence...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

...explaining that paradox, the authors note that Big Labor uses its power in both positive and negative ways. They readily concede that collective bargaining can drive up wages and thus eat into corporate profits. But that harmful impact, they argue, is more than offset by the improvements that unions make in working conditions. Among the beneficial results: better morale and increased productivity...

Author: /time Magazine | Title: Book Audits: Jun. 4, 1984 | 6/4/1984 | See Source »

...This paradox, he argues, is the source of a "splintering of styles"-the varied voices poets adopt when addressing the self and their own subjectivity. It is also the source of the critic's problems with judging poetry. Generalizations often prove useless or silly when applied to specific poets. Instead of glib categories, critics should produce analyses of the problems unique to the new poetry and assessments of poets as poets, rather than as representatives of their not-yet-defined generation...

Author: By Naomi L. Pierce, | Title: Inward Bound | 4/25/1984 | See Source »

...Thus the paradox: the vitality of the Atlantic Alliance requires Europe to develop greater identity and coherence in the field of defense. I am not talking about traditional "burden sharing," paying more for the existing effort. I have in mind something more structural?a more rational balance of responsibilities. The present allocation of responsibilities fails to bring the allies to reflect naturally about either security or political objectives. Everyone has been afraid to take the initiative in changing the present arrangement, lest doing so unravel the whole enterprise. But since drift will surely lead to unraveling?if more imperceptibly?statesmanship...

Author: /time Magazine | Title: A Plan to Reshape NATO | 3/5/1984 | See Source »

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