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Duty can be frivolous as well as stern, and it is a pleasant enough to report that the production of The Pirates of Penzance now at the Agassiz is nothing short of triumphant. It is no paradox that the Gilbert and Sullivan Players present the very best in Harvard theater with admirable consistency: they draw consistently on the same, very talented mix of regulars to play analagous parts in show after show...

Author: By Julia M. Klein, | Title: The Very Model of an Operetta | 12/7/1976 | See Source »

...recent editorials in The Crimson raise a paradox. The first deplored the "pervasive influence of corporate contributions" on the Massachusetts referenda; the second hailed Jimmy Carter's election '"triumph" when "members of major industrial unions supported him nationally by a two to one margin...

Author: NO WRITER ATTRIBUTED | Title: Political Spending | 12/4/1976 | See Source »

...paradox is particularly apparent when one realizes that the AFL-CIO spent over five and one half million dollars in the 1976 campaign to have Jimmy Carter elected president under a law that bars corporate contributions to campaigns yet allows unions virtually unlimited spending through their "political education" committees...

Author: NO WRITER ATTRIBUTED | Title: Political Spending | 12/4/1976 | See Source »

Oscar Wild's masterpiece is half-satire and all farce. Its humor is partly topical, rooted in the decadence of the late Victorian aristocracy and gentry. But its farcical underpinnings allow it to date unusually well. Wilde's dialogue abounds in inversion and paradox, in the replacement of the weighty with the insubstantial. His characters talk nonsense with a straight face and flout verbal conventions while remaining always socially correct...

Author: By Julia M. Klein, | Title: Earnestness Without Style; 'I Speak, Therefore I Am' | 11/4/1976 | See Source »

Just a year before L.B.J.'s advent in Appalachia, Harry Caudill, a lawyer from the University of Kentucky who is descended from the earliest settlers of the Cumberland Plateau, wrote a small classic, Night Comes to the Cumberlands. The book detailed with angry eloquence the paradox of a people who had grown "shockingly poor" in a land stuffed with "valuable natural resources." In The Watches of the Night, an equally indignant, equally effective broadside, Caudill updates that gloomy report. Appalachia in the '60s, he suggests, was L.B.J.'s and America's domestic Viet Nam: a confrontation...

Author: /time Magazine | Title: Books: King Coal | 11/1/1976 | See Source »

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