Word: paradoxe
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Dates: during 1880-1889
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...Hapgood takes issue with Coquelin in "Diderot's Paradox of Acting." He shows fallacies in Diderot's arguments, and turns to Archer's "Masks and Faces" for support in his conclusion that "you can not get the very highest acting unless you supplement a thorough mechanical training by all the advantages of inspiration...
...Warren said the protectionist's position is a paradox. High wages are made by protection, and because wages are high more protection is needed, they say. A high tariff does not make high wages. There are due to the greater capacity and productive of the laborer. Now, if tariff does not make high wages, a reduction does not make low. If this were so, this is just what the manufacturers would want. The trouble is it would reduce not wages but profits. With raw materials free, the cotton and every trade would be extended and wages would not fall certainly...
...indeed was supplanted by the antagonistic error, namely, that if we would cultivate and develop the soul, we must oppress and dishonor the tabernacle in which it dwells. To consider the dilapidation of the casket as indispensable to the increase of the brilliancy of the gem, is an unnatural paradox, to say the least. As a consequence of this strange logic the body was disparaged, vilified, cursed, macerated and mutilated by a set of theologians, scholastic and mystical, who had wedded a religion divorced from science. The Olympic games were suppressed by an imperial decree. Manly exercises, the festivals...
...exultantly paraded by the opponents of higher education, it is safe to say that a college course increases one's probabilities of distinction more than seventy-five per cent. The contrary opinion arises from a popular inference that half of all men are college men and disregard of the paradox that all uneducated men are self educated...
...great a paradox may well induce us to think better on this subject. Indeed, it seems to me that no play can gain more by being seen than such a play as King Lear. Who has ever realized, without the aid of the senses, all the horror and pathos of such a scene as that in which Lear speaks with Edgar and the fool? The majestic madness of the King, the bitter jests and incoherent ditties of the fool, the hideous gibberish of Edgar, each in its peculiar tone telling a story of great and unmerited woe,- what a marvelous...