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...19th century. That heavy burden crushed novelist Nikolai Gogol, who was never able to equal his masterpiece Dead Souls. It ultimately led other writers, like Leo Tolstoy, away from art and into dogmatic polemics. The weight can be felt today on the Soviet artistic community. But the essential paradox of glasnost is that when cultural leaders raise their voices, they can no longer be heard above the excited babble of an entire nation learning to speak for the first time...

Author: /time Magazine | Title: The Arts: Freedom Waiting for Vision | 4/10/1989 | See Source »

...This paradox of provincial life had even inspired a riddle. What is long, green and smells of sausage...

Author: /time Magazine | Title: TAMBOV: PERESTROIKA IN THE PROVINCES | 4/10/1989 | See Source »

...That Darman, after some detours, became George Bush's Budget Director last month shows a degree of adroit tenacity rare even among Washington's tribe of striving Type A's. He appears joyful in his new post, though his return to public service dumps him into a sticky triangular paradox. Alone among Reagan advisers, Darman lent his name to a Washington coinage: "Darmanesque" denotes the arcane stratagems he devised to promote Reagan policies. In the process of advancing Reaganomics, he sometimes swallowed his own skepticism about its wisdom. Now Darman must extricate Bush from the tar pit that is Ronald...

Author: /time Magazine | Title: RICHARD DARMAN: Driven To Beat the Budget | 2/27/1989 | See Source »

When covering death, reporters and editors face a difficult paradox: the best material in a journalistic sense very often turns out to be what is most painful to grieving survivors. News organizations, driven by intense competition, rarely let concern for a victim's privacy get in the way of a scoop. The push for live coverage of late-breaking news has put local TV stations in the uncomfortable position of being able to broadcast word of a person's death before the victim's family has been officially notified...

Author: /time Magazine | Title: Press: Knocking On Death's Door | 2/27/1989 | See Source »

...appropriated the idea of the artist as demonic obsessive. He dealt with the question Why should your fantasies matter? by insisting that he was such an extraterrestrial creature, so tuned to the zeitgeist through the trembling antennas of his waxed mustache, that he could not be ignored. Armored in paradox, he was a household word rivaling Picasso in fame, at least in the eyes of a mass public that knew him as an eccentric first and a painter second...

Author: /time Magazine | Title: Art: Salvadore Dali,The Embarrassing Genius | 2/6/1989 | See Source »

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