Word: paradoxers
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...great paradox here is that Syria wants peace with Israel for reasons that have little to do with Israel, and that Israel wants peace with Syria for reasons that have little to do with Syria. Assad wants peace with Israel so it can improve ties with the U.S. and reap the benefits of Western investment. Israel seeks peace with Syria so that it can normalize relations with other Middle Eastern states and focus its military strategy on Iran. A peace treaty between Israel and Syria will therefore more likely resemble an expedient divorce from war rather than a marriage...
...Eliot and other 20th century poets and novelists, lay in the prominence of the pronoun I--the center of relativistic thought. Thus spake the confessional poetry of the 1960s, the memoirs in the 1980s and 1990s, the prominence of the narrator in all of modern fiction. A commonplace paradox that was soon to characterize fiction was that the antihero, who was beset and disempowered by modern bureaucracies and machines, was simultaneously exalted by his diminished status...
...press conferences in the course of his presidency. Talking in a relaxed style with reporters, he explained legislation, announced appointments and established friendly contact, calling them by their first name, teasing them about their hangovers, exuding warmth. Roosevelt's accessibility to the working reporters helped explain the paradox that though 80% to 85% of the newspaper publishers regularly opposed his policies, his coverage was generally full and fair...
...next two decades would father an empire that rolled across Eurasia, linking the Pacific Ocean to the Blade Sea as it amassed kingdoms as loot and nations as slaves. The legacy of Genghis Khan is as terrifying as genocide and as dreadful as the plague. But this is the paradox: it is also as seductive as Xanadu and as momentous as the discovery of America...
...bathroom, doubled over and grimacing at the excruciating effort of relieving himself - well, the audience feels his pain.) Duncan, in his breakout role (after several supporting roles in films like Armageddon), succeeds in winning over the sympathies of the audience with an inspiring performance. John Coffey is a walking paradox - his monstrous frame is capable of flattening a man, and yet he is afraid of the dark. Using his imposing physical presence, Duncan illustrates this juxtaposition while communicating the integrity that defines his character - a nave innocence contrasted with a keenly insightful spirit and a loving soul. In Edgecomb...