Word: paragoning
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Dates: during 1980-1989
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Giulio Romano was so well known in his time that he is the only painter mentioned in any of Shakespeare's plays. Famous, and rather vulgar. If Raphael was the epitome of grace among artists of the High Renaissance and Michelangelo the paragon of sublimity, then Giulio was all licentious facility. So ran the judgment of our Victorian forebears, who could not quite forgive Raphael's best pupil for his indelicacy. An air of brilliant second- rateness still clings to his name. Those who can thrust their way through the crowds in Palazzo Te in Mantua and manage a long...
...dwarfs and idiots kept for the court's amusement. Nothing human is alien to him. Everything is worthy of respect -- a respect whose sign is an unswerving attentiveness. The morality of his art is one of transparency and proud restraint. He was, as all who knew him agreed, a paragon of the phlegmatic temperament: a walking mirror whose reflections could not be argued with...
...only to find that they cannot so easily escape themselves). Puck, we realize, would make a dream host on The Love Connection, and the rude mechanicals, rehearsing "most obscenely and courageously," would surely be an instant hit on prime time. We recognize, too, that the malaprop artists' confusion of "paragon" and "paramour" is not an idle joke; the idealizing of love is as old as broken hearts...
Drawing mattered a great deal to Jones, more, probably, than it had to any English architect before him. He was not content to direct work with rough perspective sketches and leave details to the inherited skills of artisans. He had collected some 250 sheets by his paragon, Palladio. From these he learned the conventions of drawing to a fixed scale, combining them with a fluent pen- and-wash technique to give a truthful, not just impressionistic, account of the future building. One sees his formidable skill as both a technical and a pictorial draftsman growing right through the show. "Altro...
...Selected Letters adds another interpretation to an already overwrought tale. The age demanded a hero, Lawrence qualified, and the 20th century then got what it deserved: a loner, an ascetic, a man who might have been happier as a medieval monk than as the public cynosure he became. No paragon in his own eyes, Lawrence nonetheless remains a haunting presence in the contemporary consciousness, an indissoluble mixture of weaknesses and strength...