Word: paragons
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...Shakespeare never sermonizes-his "largesse universal like the sun" showers on saint and sinner, fool and sage, king and commoner. To modern playwrights, man is puny; to Shakespeare, who knew all his faults, he was nevertheless "the paragon of animals." To an Age of Anxiety, he incarnates the courage, humor and fortitude that have always seen men through their dark nights of the soul; to a burnt-out drama he is the ever-renewing fire in the ashes. Immortal, he became a myth; miraculously, he was once...
...earliest Jefferson portrait known, painted by Mather Brown in 1786. But that picture shows a man marked by struggle, who has come through one of the most momentous decades in human history. Seen through Du Simitière's eyes, the young Jefferson in crisis emerges as a paragon of refined and virile good looks, radiating courage-and hope...
...first movement is a paragon of spaciousness and dignity, recalling the mood of the opening of his F-major "Razoumovsky" Quartet. From the solo piano sentence with which the work begins, it was apparent that Mr. Simonds had lost none of his old mastery. This opening culminates is a series of six staccato chords, which in most performances come crashing forth like so many sledgehammer blows. Under Simonds' hands these chords came out firm but restrained, and sent me scurrying home later to see how the composer had marked them. Sure enough, the chords are designated forte, not fortissimo...
...picnic takes place on the go-acre estate of one "Pop" Larkin (Paul Douglas), a beer-bellied, golden-hearted. Godsend-payday paragon of the old-fashioned vices: civic irresponsibility and the right to shirk. Inevitably, the Internal Revenue Service (Tony Randall) tries to catch up with him. "I'd like to look at your books," says tight-lipped Tony, the perfect black-shoe bureaucrat. Douglas looks puzzled. "I don't do much reading," he replies. But Tony forges ahead, deeper and deeper into a slough of Southern hospitality...
...modern fiction's psychological jungle, her homespun plot seems both soothing and revolutionary. John Wood, trusted employee of a land-company, is regarded as a paragon of virtue in his town of some 2,000 people. He is handsome beyond compare, a superintendent of the Sunday school, and gives the devotion of a medieval knight to his chronically sick wife. His son Philip is a senior in high school and is, if anything, a cut above the old block-handsome, kind, courteous, his mother's protector, his school's hero and his minister's pride. Even...