Word: parallaxes
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...women pops into the Ghost's bed. But we should hail a movie that recalls creepy political thrillers of the mid-'70s, back when some films were made for grownups and the comfortable catharsis of a happy ending was not required - think of the panoramically cryptic worldview of The Parallax View and Three Days of the Condor, and of course, Chinatown. In its cataloguing and deft evocation of those films, and the director's entire body of work, The Ghost Writer may not be major Polanski, but it sure is essential Polanski...
...leading lady, Sandy Dennis, on the covers of TIME and Newsweek the same week. After a Gregory Peck Western, The Stalking Moon, the producer-director team split. As it happened, Pakula became a director with a broader, deeper palette and somewhat greater success than his old partner (Klute, The Parallax View, All the President's Men, Sophie's Choice, Presumed Innocent, The Pelican Brief...
...latest mop-up job is a toughie. During a deposition of plaintiffs in a corporate malfeasance case his bosses want to be settled quickly, the firm's top litigator, Arthur Edens (Tom Wilkinson), has gone nuts, cavorting naked in a parking lot. The most superficial familiarity with The Parallax View and other political-paranoia movies of the 70s - or with the crimes of EnRon and other big companies - will cue the viewer to expect corporate dirty tricks at the root of Arthur's frayed mental state. The two men will find ruthless adversaries both in the corporation's chief counsel...
...bother congratulating yourself. We're only halfway through Act 1 of Shooter, the latest movie in the conspiracy-theory genre. Filmmakers have spun some pretty decent political nightmares out of the fear of another Lincoln, McKinley or Kennedy assassination. The Manchurian Candidate, of blessed memory, established the format; The Parallax View, Three Days of the Condor, Winter Kills, JFK, Conspiracy Theory and last year's BBC fake-umentary Death of a President all ran cunning variations on it. Shooter, written by Jonathan Lemkin from Stephen Hunter's novel Point of Impact and directed by Antoine Fuqua, is an honorable rather...
Fittingly, mirrors are a frequent motif in the production, as is symmetry. Images recur, often happening twice simultaneously, giving the effect of parallax. This device serves both to represent the situation’s independence of time, or to simulate the internal repetition in the characters’ minds of the painful events that transpire...