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McKay Professor of Electrical Engineering and Computer Science H. T. Kung is a veteran designer of so-called massively parallel computer systems...

Author: By Haibin Jiu, CRIMSON STAFF WRITER | Title: Veteran Computer Researcher H.T. Kung Arrives at Harvard | 2/19/1992 | See Source »

...appropriately ingenuous Desdemona and sustains the first half of the last act beautifully with the "Willow Song" and the Ave Maria. Although her performance doesn't mesh entirely with Pavarotti's careful reading of his role (especially in the first-act love duet, which comes across more as two parallel soliloquies), her characterization is admirable, and she comes into her own in the second-act scene where she is admired by the chorus of men, women and children...

Author: NO WRITER ATTRIBUTED | Title: Pavarotti's Gamble | 2/13/1992 | See Source »

...garden and the city. Eden and the New Jerusalem constitute visions of Paradise that are archetypes for the setting of everyday life from archaic Greece to twentieth-century America. In that each culture possesses its own "construction" of paradise, an examination of these (culture and construction) in parallel is the most rewarding premise for an exploration of human interaction with the visual environment...

Author: By John D. Shepherd, | Title: Visions of Paradise Found | 2/13/1992 | See Source »

Everyone laughed and cringed during the Calgary Games when Britain's "Eddie the Eagle" Edwards jumped with his skis in a V configuration -- among other odd angles. His unpolished "style" was in stark contrast to the controlled flights of other jumpers, who kept their skis tightly parallel. Edwards finished dead last, but he may have been on to something. This year some of the best jumpers on the hills at Courchevel will be flying with their skis forming an ungainly but aerodynamic V shape. As innovator Jan Boklov, a Swede, has demonstrated, jumping in this manner improves lift...

Author: /time Magazine | Title: 1992 Winter Olympics: Cutting Edges | 2/10/1992 | See Source »

...wife Amy (a sometime collaborator) and two daughters. He is a hands-on producer, sifting through libraries and archives himself in search of material (joined by one or two co-producers on each film) and participating in every interview. The crafting of a Burns film proceeds on two parallel tracks. On the one hand, film is shot and archival material collected without regard for what they might illustrate. At the same time, a script is prepared without regard for whether there are pictures to illustrate it. The editing process that follows, says Burns, is "an incredibly difficult horse-trading maneuver...

Author: /time Magazine | Title: Feats Of Progress | 2/3/1992 | See Source »

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