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...omens of settlement gathered too. The U.S. restricted its bombing of North Viet Nam to targets below the 20th parallel. South Vietnamese flags were selling at a brisk pace in Saigon, as Vietnamese prepared to show their colors?and protect themselves ?in the event of a truce. In Paris, the French government was said to be making quiet preparations to host a new Geneva-style "guarantee conference" of five or six nations that would oversee an orderly cessation of hostilities throughout the scarred Indochina landscape. Inevitably, the accounting would begin of the cost of a decade...

Author: /time Magazine | Title: Special Section: The Shape of Peace | 11/6/1972 | See Source »

July 21, 1954. At Geneva conference, war-weary French agree to temporary partition of Viet Nam at 17th parallel. Ho's Viet Minh march into Hanoi in October and establish capital of Communist North Viet Nam. U.S.-backed Premier Ngo Dinh Diem takes charge of South Viet Nam. Geneva accords call for elections in two years to reunify country...

Author: /time Magazine | Title: Special Section: Chronology: Generation of Conflict | 11/6/1972 | See Source »

ELIOT HOUSE DINING ROOM: King Kong and Gentleman Prefer Blondes, Oct. 27 and 28, Kong 8, Blondes 10, $1. HARVARD-EPWORTH CHURCH: Ghosts Before Breakfast by Hans Richter; Diving Sequence from Olympia by Leni Riefenstahl; Adebar by Peter Kubelka; A Movie by Bruce Conner: To Parallel by Bruce Beillie: Neurology by Standish Lawder; and Moon 1969 by Scott Bartlett...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 10/26/1972 | See Source »

Doris Lessing herself has gone the route from Marxist materialism to Sufi mysticism. The parallel with Orkney is quietly apparent. So is the meaning: that the beliefs one holds at various times are not always as important as the journey to and from them...

Author: /time Magazine | Title: Books: Fall Collection | 10/23/1972 | See Source »

Later, it became Braque's habit to mix sand with his paint. The gritty paste, imbued with color and resistant to the skimming eye, served two purposes. It presented his paintings as surface; and it insisted upon a slowness of inspection, parallel to the immense deliberation which Braque himself brought to the act of painting. Such works are all about explicitness: witness a masterpiece like The Pink Tablecloth, 1938, with its assembly of waterjug, book, lemons and glass enjoying their mutual silvery transparency on a pale amoebic cloth, linked together by a shaved white line that both dictates...

Author: /time Magazine | Title: Art: Objects as Poetics | 10/9/1972 | See Source »

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