Word: paramount
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Dates: during 1990-1999
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...months before shooting was to begin on Paramount's The Saint, the Aussie auteur Phillip Noyce went to visit the movie's star, who was on location in Australia for another film. When the actor didn't show up for their meeting, Noyce sighed and thought, "Well, this is Val Kilmer." That would be Val Kilmer the Hollywood bad boy, whose very name spurs some directors to spit venom. Noyce walked outside and into a dark street, then became aware of someone following him. "I stopped in a doorway and looked over my shoulder, but no one was there. Suddenly...
...potential franchise role in Paramount's revival of The Saint. This isn't the clarety Simon Templar that George Sanders played in three Saint films in the '40s or the capering Roger Moore of the '60s TV show. Kilmer's Simon is a man unsure of his own identity and compelled to wear disguises as if he were shopping for a new soul. Similarly, Noyce eschews the campy look of Bond or Batman. The movie, about a post-Soviet plutocrat (Rade Serbedzija) who tries to mastermind a new Russian revolution, is dark--almost drab--and broody. It seems deeply riven...
...some may be true. But he was never like that with me." Noyce took the actor's suggestions about Simon's elaborate disguises (they give the film a lift and an edge) and pumping up the romance. "The truth is that we made a different film from the one Paramount financed," Kilmer says, "and they went along with it." They also paid for a new ending, shot in January, after preview groups nixed a death scene for Shue's character...
...convocation of moguls had gathered at the Beverly Hills Hotel, that pink palace on Sunset Boulevard, to divvy up Saving Private Ryan, a World War II drama starring Tom Hanks, in the works for the summer of 1998. Paramount had the script; DreamWorks had the dream director, Steven Spielberg. That the two studios would agree to share the picture is not that unusual. But which one would get to distribute it in the U.S., and which would get the rest of the world? Both sides wanted the domestic release, which means getting the glory if the picture...
...this weighty issue? They flipped a coin. Not without some maneuvering, of course. Team DreamWorks, which consists of Jeffrey Katzenberg, David Geffen and Spielberg, was determined that Spielberg should follow a premonition and call tails. "I believe in Steven's premonitions," Katzenberg explains. But Sumner Redstone, chairman of Viacom, Paramount's parent company, and a man who would negotiate a sunrise, insisted that Spielberg toss his own quarter while he, Redstone, made the call. The DreamWorkers gave in. Redstone, to their relief, called heads. Tails...