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...Cleveland native, Hall started his show-biz career as a stand-up comic and became host of the TV series Solid Gold. But he claims he has wanted to do a talk show since age twelve: he calls Carson his "idol" and, like Johnny, was a child magician. When Paramount TV initially offered him his own show, Hall was reluctant, but he had a vision as a guest with Carson. "During a commercial, he and I were comparing coin tricks," he says, "and I realized that it was my mission in life to do a talk show. I really want...

Author: /time Magazine | Title: Video: And Now, Nice-Guy Talk Hosts | 1/9/1989 | See Source »

...country with its lineup of independent stations. But producers and network executives are busily trying to lower expectations. "It's foolish to think you can knock off an institution like Carson just because you arrive on the scene," says CBS vice president Michael Brockman. Asserts Lucie Salhany, president of Paramount's domestic television division: "We're not out to get anybody. There's room for us all." Can this be the beginning of a kinder, gentler late night? Stay tuned...

Author: /time Magazine | Title: Video: And Now, Nice-Guy Talk Hosts | 1/9/1989 | See Source »

...Beach Park in Bellevue, Wash. The buildings designed by Jones & Jones architects of Seattle manage to be sensible without being banal. They are charmingly appropriate to the region (wooden board and batten exteriors, exaggerated overhanging eaves) without being simply Hansel- and-Gretelish. Ann Mullaney's new information kiosks on Paramount Pictures' Melrose Avenue studio lot in Los Angeles are also admirably no-nonsense and low-key. They are neoclassical wooden booths with fine detailing, standing- seam copper roofs and all the glitz of a New England farmhouse. When a large corporation suppresses the instinct for overpolished aesthetics, hurrah for Hollywood...

Author: /time Magazine | Title: Design: Best of '88 A Compelling New Modernism | 1/2/1989 | See Source »

...year-old Simon surrogate whose writings at this age, we are led to believe, eventually become the play itself. Brighton hinges on Eugene, his thoughts and his interactions with other characters, and O'Keefe plays the pubescent Eugene admirably, lending believability to a role which requires that his paramount interest be seeing naked breasts. O'Keefe's beady-eyed facial expressions and air of child-like surprise throughout the show are what make the play worth seeing...

Author: By Joe MARTIN Hill, | Title: A Teen Grows in Brooklyn | 12/9/1988 | See Source »

Frusciante agreed it was important to find out the state of Morris' mind while the virus was being produced, but did not consider its importance paramount...

Author: By Spencer S. Hsu, | Title: `Virus' Inquiry Hears Vital Harvard Testimony | 12/3/1988 | See Source »

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