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...when it ruled that wealthy suburbs must share the burden of low-cost housing. In Arkansas officials have proposed that any county that refuses a prison should pay the state to house its criminals. In each instance, the principle of community responsibility for the greater good was paramount. "One of the few things we deprive our middle class of is the opportunity to serve," says Ethicist Gaylin. Whether the problem is a waste dump, a shelter for the homeless or an AIDS hospice, an equitable and beneficial solution, however imperfect, is likely to be one that the community...

Author: /time Magazine | Title: Ethics: Not In My Backyard, You Don't | 6/27/1988 | See Source »

...Wolfe's future, differences of race and geography will become paramount. The City--New York City--has become two separate communities, with Blacks and whites rarely communicating. When they do communicate, it is usually through the media--and they have little to say to each other...

Author: By Noam S. Cohen, | Title: Wolfe's Hard Sell | 6/8/1988 | See Source »

...American legacy of political rebelliousness, Weeks says, U.S.-bred eccentrics tend to hold more radical views than their better-born British brethren. "Eccentricity flourishes where there is freedom of expression," he says. "You won't find eccentrics tolerated in repressive regimes or countries where social conformity is paramount...

Author: /time Magazine | Title: Behavior: Rise of The American Oddball | 6/6/1988 | See Source »

...frenzy, business guys in suits. This may be partly because the characters are drawn from Mamet's real life in Hollywood. Part of last week's media furor about the play, in fact, was the assertion that Mantegna's role is based on Ned Tanen, head of production at Paramount, which made The Untouchables, while the obsequious producer is said to be a sketch of Untouchables Producer Art Linson, a self-described Silver look-alike. Says the apparently flattered Linson: "Mamet has to get his material somewhere...

Author: /time Magazine | Title: Theater: Madonna Comes to Broadway | 5/16/1988 | See Source »

Thanks to its recent blockbusters, the company has for the moment surpassed archrival Paramount as the No. 1 grossing studio in Hollywood. Only three years ago, Disney ranked ninth. Even though the studio could easily slip from its dizzying new position, Disney's hot streak has made it Hollywood's most closely watched force. The company plans to release 15 features this year, up from ten in 1986. Among them: Big Business, a comedy pairing Bette Midler and Lily Tomlin, and Cocktail, in which Tom Cruise plays a cocky young bartender...

Author: /time Magazine | Title: Do You Believe In Magic? | 4/25/1988 | See Source »

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