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Johnson's unique ability to sense the paramount-or sometimes merely the hourly-issue, and then move fast to get control of it, has made him without rival the dominant figure of the Democratic 85th Congress. As such, his is the Face of Democratic performance, and he does indeed stand second in power only to the President...

Author: /time Magazine | Title: THE CONGRESS: Sense & Sensitivity | 3/17/1958 | See Source »

...other side of the picture, are we developing the individual? Are we putting enough of a premium on the pupils who are different, who are exceptional? Are we developing our geniuses, or are we averaging them out? Are we encouraging some individual thinking, or are we making group decisions paramount? Are we afraid of being branded 'intellectual snobs' if we suggest that the gifted be educated to the limit of their ability? Are we sacrificing our children on the altar of 'rugged groupism...

Author: /time Magazine | Title: Education: Report Card | 2/24/1958 | See Source »

...between the movies and TV suffered its Dienbienphu last week. Paramount Pictures Corp., last of the big moviemakers to hold out, finally surrendered, sold its backlog of 750 pre-1948 films to TV. The price: a handsome $50 million. Soon to visit the televiewer at home, courtesy of Management Corp. of America (and numberless sponsors), are such Paramount standouts as Going My Way, This Gun for Hire, The Lost Weekend, all the Mae West films, the Hope-Crosby-Lamour "Road" shows; and Cecil B. de Mille's Cleopatra, Unconquered and Union Pacific...

Author: /time Magazine | Title: Television: Coming Attractions | 2/17/1958 | See Source »

...heart attack; in Beverly Hills. After his first movie venture (with a brother-in-law, Glove Salesman Samuel Goldfish, now Goldwyn. and a young playwright named Cecil B. DeMille), Lasky joined forces (in 1916) with Adolph Zukor to form the Famous Players-Lasky Corp., which evolved into Paramount Pictures...

Author: /time Magazine | Title: Milestones, Jan. 27, 1958 | 1/27/1958 | See Source »

...bulk of film comes from the newsreel archives, which started in the U.S. in 1910 and by now, except for Paramount's stubbornly locked vaults, have been raked by the networks. Ironically, it is TV itself that has put most of the newsreels out of business and thereby shut off one source for future historians in celluloid. The networks are now salting away their own voluminous news film against the day when a show like Twenty-First Century may want to picture the quaint old U.S. at the dawn of the space...

Author: /time Magazine | Title: Television: The Celluloid Sleuths | 12/23/1957 | See Source »

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