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September Affair (Paramount), a slick product for a ready market, is just what a cynic might arrive at if he tried to imagine how Hollywood would have made Britain's 1946 Brief Encounter. Like the British picture, September Affair tells a wistfully ro mantic story of a couple thrown together into what readers of women's-magazine fiction know as a love that can never...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 12, 1951 | 2/12/1951 | See Source »

Publisher Robert R. McCormick, who likes a good fight as well as his readers, ran Actor Keane's diatribe in a big box below Critic Cassidy's famed "On the Aisle" column. It was more evidence of the fact that Claudia Cassidy is the paramount critic in Chicagoland. Her critical judgment is not infallible, but her reviews can usually make or break any show in Chicago...

Author: /time Magazine | Title: The Press: The Colonel's Lady | 2/5/1951 | See Source »

...Molly (Paramount) brings The Goldbergs to the screen after a 21-year career in radio, vaudeville, comic strip, legitimate theater and television. As always, The Goldbergs spices its doughy lumps of linguistic comedy and tearful drama with an authentic flavor of Jewish family life in The Bronx, binds them with the hopes, frailties and loyalties common to all families...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 29, 1951 | 1/29/1951 | See Source »

...constantly betrays its quickie origin, leaves the field wide open to such forthcoming pictures as RKO's The Korean Story, Eagle Lion Classics' Korea Patrol, Columbia's A Yank in Korea. Also on the way, celebrating other wars and warriors: MGM's Go for Broke, Paramount's The Submarine Story, 20th Century-Fox's The Frog Men, Republic's Fighting U.S. Coast Guard, Universal-International's Up Front and Air Cadet, RKO's Jet Pilot and Flying Leathernecks...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 29, 1951 | 1/29/1951 | See Source »

...with the Army (Paramount) was not much of a play on Broadway in 1949, but Scripter-Producer Fred F. Finklehoffe's film version shows that it could have been much worse. The training-camp farce now serves as a vehicle for Comics Dean Martin & Jerry Lewis and their ragbag of nightclub bits & pieces...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 29, 1951 | 1/29/1951 | See Source »

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