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Comedy dancer Marie Tiffany, who has recently worked on the stages of Radio City Music Hall and the Paramount Theatre, will perform along with Chick Carmen, who is appearing at the French Village. A duet of Alice O'Leary and Guy Guarine, both currently at the Darbury Room, will also entertain...

Author: NO WRITER ATTRIBUTED | Title: Brew, Beauty, Bop Headline Freshman Smoker Program | 3/3/1950 | See Source »

Dear Wife (Paramount). The movie sequel is an old Hollywood custom designed to repeat a success by imitating it. More often, as with this pale wraith of 1947's Dear Ruth, it succeeds only in running a good thing into the ground. With the same principals playing for farce in the same suburban setting, Dear Wife sadly lacks a script to measure up to the original...

Author: /time Magazine | Title: The New Pictures, Feb. 20, 1950 | 2/20/1950 | See Source »

...time I crawled out of the Paramount theater, I somehow wished that DeMille wasn't such a Bible fan after all. Spectacles and morals somehow don't mix; it's like holding a revival meeting in the Latin Quarter...

Author: By Donald Carswell, | Title: THE MOVIEGOER | 2/11/1950 | See Source »

Thelma Jordon (Paramount), in telling the story of a fall guy, has a production polish as bright as a new dime but uses a plot that was minted long ago. Wendell Corey is a petulant assistant district attorney with an ever-loving wife (Joan Tetzel) and two movie-perfect children. But he goes on a binge and is exposed to the mature blandishments of Barbara Stanwyck, who gets him involved in a nasty murder. Corey is disbarred and Barbara dies in an auto accident over the convenient Hollywood cliff that has served as the execution block for many an offender...

Author: /time Magazine | Title: The New Pictures, Feb. 6, 1950 | 2/6/1950 | See Source »

Samson and Delilah (Paramount) bedizens the Biblical story with all that $3,000,000 can buy: Hedy Lamarr, Victor Mature, 600 extras and eye-crashing Technicolor, mixed by the lavish, lily-gilding hand of Cecil B. DeMille. The result may not be quite Old Testament, but it is Bible story shrewdly blended with sex, spectacle, and the merest suggestion of social comment to keep it abreast of current Hollywood trends. It is unlikely to tarnish Producer-Director DeMille's reputation for consistently making (as well as spending) more money on pictures than anybody else...

Author: /time Magazine | Title: The New Pictures, Dec. 26, 1949 | 12/26/1949 | See Source »

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