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...first three were made with their own money. They were so fabulously successful that Paramount promptly bought into the gold mine. It agreed to finance all Pine-Thomas productions, pay them 25% of all profits over 170% of the cost of the film...

Author: /time Magazine | Title: SHOW BUSINESS: It's Not Art But ... | 8/6/1945 | See Source »

This gave Pine & Thomas, who call themselves the "Dollar Bills," what few other class-B moviemakers have: a big bank roll and a spigot for their potboilers in Paramount's 11,000 outlets. Result: By last week the Dollar Bills were 1) producing pictures at an average cost of $125,000; grossing an average $600,000 on each, 2) top class-B producers in Hollywood, 3) among the highest paid moviemakers in the business. This year they will collect about $700,000 (before taxes) for their work...

Author: /time Magazine | Title: SHOW BUSINESS: It's Not Art But ... | 8/6/1945 | See Source »

...Came Along (Hal Wallis-Paramount) almost justifies the people who "don't want to cry at the movies because there's enough sadness in the world already." Striving bravely, in the best tradition of air-corps romance, to maintain a gallant gaiety in the face of impending doom, the picture fails completely to realize that its tears are obviously glycerine, its poignance pointless, and its gloom only a studio fog obscuring what should be a wholly delightful comedy...

Author: /time Magazine | Title: The New Pictures, Jul. 16, 1945 | 7/16/1945 | See Source »

...Trusteeship Council for dependent territories is guided by a statement of principles recognizing the paramount interests of the governed. The administering power is pledged to develop self-govern ment (but not necessarily independence) in trust territories. These guarantees are only theoretical - the Council as yet has no territories to protect - but the beginning is promising...

Author: /time Magazine | Title: International: From Where to Where? | 7/9/1945 | See Source »

...Monday luncheon at plush Perino's, the Association of Motion Picture Producers sent in the first team-M.G.M.'s Louis B. Mayer, Goldwyn's Sam Goldwyn, Paramount's Henry Ginsberg, RKO's Charles Koerner, Universal's Nate Blumberg, Columbia's Irving Briskin, Fox's Lew Schrieber and Joe Schenck, everybody's Will Hays. Rank talked easily, but not about his plans. He liked the fried chicken...

Author: /time Magazine | Title: Roll Out the Barrel | 7/9/1945 | See Source »

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