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...Paramount Studio probably expected something contemporary about a teenage detective in New York. "They probably thought I would do anything but a Dickens or Victorian style film," he notes...

Author: By Thomas M. Doyle, | Title: Chris Columbus | 12/12/1985 | See Source »

...able to offer the independents some brand-new shows produced by 20th Century-Fox's studios. This so-called first-run syndication business is flourishing right now. Among the biggest hits: Entertainment Tonight, Wheel of Fortune and People's Court. The Fox studio still lags behind such rivals as Paramount Television and Tribune Entertainment, an independent TV group that produces the cop opera Dempsey & Makepeace. 20th Century-Fox now makes only four shows for first-run syndication, including $100,000 Pyramid and Dance Fever. At the moment, Murdoch is in no hurry to assume the financial risk of turning...

Author: /time Magazine | Title: Murdoch in the Mogul's Seat | 11/11/1985 | See Source »

...Davis, the studio churned out such clunkers as Rhinestone, which paired Sylvester Stallone and Dolly Parton, and Blame It on Rio, which featured Michael Caine at the beach. But Murdoch has the good fortune of inheriting a shrewd studio boss, Diller, who joined Fox in October 1984 after heading Paramount, where he turned out a stream of hits that included Terms of Endearment and Flashdance. One early result of Diller's stewardship is Commando, the hit film starring Arnold Schwarzenegger, which has grossed $27.1 million in its first four weeks. 20th Century-Fox also distributed the black comedy Prizzi...

Author: /time Magazine | Title: Murdoch in the Mogul's Seat | 11/11/1985 | See Source »

...worse as a Jew, his physical safety was in danger every minute he stayed in Germany. He soon found his way to Paris where he again faced dire poverty. As Whelan points out in detail, Capa was broke most of his life. The need to make money was always paramount in Capa's mind even if he ended up wasting it away in food and wine...

Author: By Ji H. Min, | Title: Shooting for the Moon | 10/21/1985 | See Source »

Given Hollywood's current taste for Spielbergian light-and magic shows, an "actor's movie" is a dying breed. But in Kiss of the Spider Woman, a film mixing the dangerous ingredients of politics and movie glamour itself, the actors' contributions are paramount...

Author: By Ari Z. Posner, | Title: One Cell of a Film | 9/26/1985 | See Source »

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