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...night, however, really belonged to Brooks. In a Hollywood story older than the Oscars themselves, he had been turned down by almost every studio in town before Paramount finally said yes, it would help him make a comedy in which one of the leading characters, Aurora's daughter Emma (Debra Winger), dies of cancer. "The script was always killed with kindness," says Brooks. "People really liked it but perceived it as a small, dark, emotional comedy. I spent two years telling studio heads that it wasn't a cancer picture. I hate cancer pictures...

Author: /time Magazine | Title: Show Business: The Night off the Great Prom | 4/23/1984 | See Source »

...article makes two major points. First, that the wishes of the patient should be considered paramount in the decision-making. And second, that doctors should not feel compelled, as many traditionally do, to continue "aggressive" or extraordinary treatment to keep a terminal patient alive...

Author: NO WRITER ATTRIBUTED | Title: Patients Rights | 4/23/1984 | See Source »

...guidelines set down in the article make two major points, according to Federman. First, the patient's role in the decision-making about treatment should be paramount, and second, doctors should not continue "aggressive treatment" when it would only prolong "a difficult and uncomfortable process of dying...

Author: By Melissa I. Weissberg, | Title: Professors Support Right To Die for Terminally Ill | 4/12/1984 | See Source »

...Western democracy was too soft, too decadent to defend itself. This delusion on the part of undemocratic governments has been, and remains, the greatest danger to peace in this century. The cacophonous self-criticism of the democracies and the unwavering insistence of their people that peace must be the paramount goal of their elected governments are signs of great strength, but autocrats persist in mistaking them for signs of weakness. The British demonstrated that a free people have not only kept a sinewy grip on the values they seem to take for granted but are willing to fight for them...

Author: /time Magazine | Title: Alexander Haig | 4/9/1984 | See Source »

Like the war whoops and thundering hoofbeats that always preceded the Indians in old westerns, Paramount's new hit musical Footloose was heard well before it was seen. The title song, performed by Kenny Loggins, was sent to radio stations six weeks before the movie opened. A second single from the movie, Shalamar's Dancing in the Sheets, was released three weeks later, and a third, Bonnie Tyler's Holding Out for Hero, a week after that. The sound-track album and a promotional video also came out weeks before the movie. When the film itself finally...

Author: /time Magazine | Title: Show Business: Hollywood Catches the Rock Beat | 3/26/1984 | See Source »

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