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...early 20s he helped to create United Artists; before he was 30 he formed his own Hollywood movie company. In the next decade he became Paramount's head of production. The job paid $11,000 a week before "the age of taxes, accountants, business managers and tax shelters [when] the make-it-and-spend-it philosophy ruled the town." He discovered the "It" girl, Clara Bow, and the German character lead Emil Jannings; he promoted the careers of people as diverse as Director Ernst Lubitsch and the Marx brothers. Yet, by his mid-40s he had flamed...

Author: /time Magazine | Title: Books: Presenting: The Missing Mogul | 7/27/1981 | See Source »

...much the gambler, more excited by the flow of the play than by the final totals. Maybe his long-running affair with Sylvia Sidney, then one of his most winsome discoveries, diverted attention just as the coming of sound and the Great Depression led to bitter executive battles at Paramount. And maybe he needed to prove that Ad was right after...

Author: /time Magazine | Title: Books: Presenting: The Missing Mogul | 7/27/1981 | See Source »

...paramount mission and destiny of women are to fulfill the noble and benign offices of wife and mother. This is the law of the Creator...

Author: /time Magazine | Title: Foot Soldiers of the Law | 7/20/1981 | See Source »

Nothing dramatizes the changes that have taken place in the past 108 years more than the nomination of Sandra O'Connor to the bench where Bradley once sat. Today some 50,000 women are going beyond their "paramount mission and destiny" by pursuing careers as lawyers. They represent about 10% of the profession, and the proportion is growing: one out of three students now graduating from law school is a woman. Female attorneys are no longer considered "a bizarre thing," as Shirley Hufstedler, Secretary of Education under Jimmy Carter, recalls they Eleanor Holmes Norton were when...

Author: /time Magazine | Title: Foot Soldiers of the Law | 7/20/1981 | See Source »

...flash point was the original ad campaign, which stressed the topless debut of Julie Andrews. "Clearly they perceive the film first as the baring of my wife's breasts and second as a comedy," he protests. Paramount scrapped the campaign when Edwards threatened to remove the scene. Next, he tangled with the studio over the cost of a press junket, finally paying the $110,000 tab himself. "I want to tell you that various people are repeating lines right out of the script," he cries. "It is life imitating art. Every day, by phone or telex, they validate...

Author: /time Magazine | Title: Cinema: Biting the Hand of Hollywood | 7/13/1981 | See Source »

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