Word: paranoidly
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...blinding comet of television has wiped out their kind, leaving only furry grinning mammals behind. Richard Nixon barely knew Henry Kissinger when he appointed him, notes Robert Dallek in Nixon and Kissinger, but they turned out to be two of a kind: both the products of unhappy childhoods, both paranoid, combative, grandiose, deceptive, relentlessly driven men. They shared power on an unprecedented basis, and it's both hypnotic and terrifying to watch this unsteady Siamese-twin act toddling around the globe, from China to Chile, Vietnam to the Soviet Union, simultaneously propping each other up and cutting each other down...
...blinding comet of television has wiped out their kind, leaving only furry grinning mammals behind. Richard Nixon barely knew Henry Kissinger when he appointed him, notes Robert Dallek in Nixon and Kissinger, but they turned out to be two of a kind: both the products of unhappy childhoods, both paranoid, combative, grandiose, deceptive, relentlessly driven men. They shared power on an unprecedented basis, and it's hypnotic and--retroactively--terrifying to watch this unsteady Siamese-twin act toddling around the globe, from China to Chile, Vietnam to the Soviet Union, simultaneously propping each other up and cutting each other down...
...portal in the back of their heads; books, TV, and movies are utterly obsolete. Palahniuk alludes to current political situations with invented laws like the “I-See-You Act,” and even refers to President Bush at one point. Though the narrative is definitely paranoid, it’s also very convincing, beginning coherently and concretely before reality slowly unwinds itself. The reader finds himself peering over the top of the book at a world that doesn’t look quite the same, a world where sinister forces pursuing sinister ends are constantly calculating...
...witty comments and a sort of devilish charm and provocative fun of not taking art too seriously," says Marie Jeanne de Rooij, curator of "De Overkant/Down Under." But like all good court jesters, Kesminas tells salient truths while poking fun-whether at art's over-reliance on theory in Paranoid (courtesy Black Sabbath), at the self-indulgence of Tracey Emin (to the tune of the Police's Roxanne) or at the preciousness of the German art scene (Children of Berlin, by way of Dire Straits' Sultans of Swing.) Says Kesminas, "The art world is really so small when it comes...
...they are afraid of being killed. The Iraqis who live here have a simple word, barra, that they use over and over again to refer to the rest of Baghdad outside the Green Zone. It means "out there." If they were anywhere but Iraq, their stories would sound like paranoid delusions. All the gates are watched, they say. Their names are on hit lists. One woman, who used to do laundry for a British security firm and now lives in an abandoned market stall with her three children, has received messages on her cell phone telling her "Your blood will...