Word: paranoidly
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...Helmsley, the Queen of Mean, played evil stepmom to all the employees of her husband, New York City real estate mogul Harry Helmsley. She fired employees at a whim (one for taking an apple from the kitchen while working through lunch) and had that rich-person disease of being paranoid that everyone was stealing from her; meanwhile, she was convicted of tax evasion. Even one of her lawyers called her a "tough bitch...
Slobodan Milosevic has good reason to be paranoid. NATO on Wednesday swooped down on the Bosnian countryside to arrest General Radislav Krstic, the commander of the Bosnian Serb unit that massacred 8,000 Muslim men in the U.N. "safe haven" of Srebrenica in 1995. "Even though he was on leave in Serbia at the time, Krstic would have had to authorize the killings," says TIME correspondent Edward Barnes. "He'll also be able to answer questions over Milosevic's involvement in the most important massacre...
...this--not to mention the film's paranoid take on big, secretive government--is familiar stuff. Nor are the principal characters unknown quantities. Under pressure, Smith's attorney demonstrates the kind of stamina and physical agility that people confined to desk jobs find within themselves only in the movies. His sole ally, Brill, a former government operative who has turned into a rogue counterintelligence specialist, is played by Gene Hackman as a funny, cranky imitation--right down to the horn-rimmed glasses--of the snoop he played so memorably in The Conversation almost 25 years ago. And, as their chief...
...adorable, bumbling style by David Arquette. A natural at the hook, the Tommy's moral sensibilities are deeply troubled by Grigoris' less-than-honest sales strategy, which he markets to Tommy under the "rob the rich to feed the poor" label. While Grigoris feeds scruple-free off of the paranoid West Los Angeles psyche, Tommy complicates the plot until even Robin Hood risks entrapment...
...general, The Alarmist suffers from a kind of multiple personality disorder. Lines like "stop or I'll shoot" and "I love her and you took her away" alternate with weirdly sophisticated monologues on security and trust. The plot aims to depict paranoid modernity but misses, venturing off into the surreal as it ticks through comedy, romance, tragedy and documentary. The aesthetic attempts to depict low-class L.A. kitsch (the 1954 sushi joint, Tommy's family home in the outer 'burbs), but lacks many key touches. Especially lacking is the cool, retro music soundtrack one would associate with such a picture...