Word: paranoids
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...adorable, bumbling style by David Arquette. A natural at the hook, the Tommy's moral sensibilities are deeply troubled by Grigoris' less-than-honest sales strategy, which he markets to Tommy under the "rob the rich to feed the poor" label. While Grigoris feeds scruple-free off of the paranoid West Los Angeles psyche, Tommy complicates the plot until even Robin Hood risks entrapment...
...general, The Alarmist suffers from a kind of multiple personality disorder. Lines like "stop or I'll shoot" and "I love her and you took her away" alternate with weirdly sophisticated monologues on security and trust. The plot aims to depict paranoid modernity but misses, venturing off into the surreal as it ticks through comedy, romance, tragedy and documentary. The aesthetic attempts to depict low-class L.A. kitsch (the 1954 sushi joint, Tommy's family home in the outer 'burbs), but lacks many key touches. Especially lacking is the cool, retro music soundtrack one would associate with such a picture...
...busy as a Bruegel. Solondz has a dozen major characters trudging through Happiness. Stanley Tucci, the co-writer, co-director and star of everyone's favorite Italian-food film, Big Night, has created a shipful of fools in his farce The Impostors. Todd Haynes, known for his furtive, paranoid parables Poison and Safe, goes wide-screen and handsome to summon the ghosts of glam-rock in Velvet Goldmine...
...most recent film Guzzetti enjoyed was Benoit Jaquot's Seventh Heaven, now playing at the Coolidge Corner theater. It's all about a neurotic Parisian, her paranoid husband, eastern Feng Shui mysticism on how to rearrange furniture, orgasm deprivation, and other dysfunctional artsy stuff. Guzzetti highly recommends...
...Woody driveling anxiety to his shrink, the first moments of Antz suggest a film destined to become another prototypical Woody Allen movie. Or so it seems until Woody (now an ant named "Z") gets off the psychoanalyst's couch and walks into "The Colony." Hardly the accustomed venue for paranoid melodrama, the computer generated image of a million humanoid ants carrying around gargantuan dirt clods seems to belong more to a Charleton Heston flick than to a movie whose hero is characterized by unrelenting nervousness...