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Each bronze panel, rough-edged and scratchy like parchment sketches, contains a different intimation of mortality. At the top (see opposite) two large panels picture the crucifixion of Christ and the death of the Virgin Mary, her body supported by two angels before its assumption into heaven. Below (see overleaf), Manzù evokes scenes of death from the sacred history of the church-Abel clubbed by his brother Cain, St. Joseph waiting calmly for the ebbing of life, the first Christian martyr St. Stephen being stoned by a Jerusalem mob, Gregory VII dying on his papal throne. The agony...

Author: /time Magazine | Title: Sculpture: Doors of Death | 7/24/1964 | See Source »

TOLEDO. Spanish Chef Francisco Gon zalez from Madrid's Jockey Club turns out fine food (sea bass in parchment, tournedos, partridges with grapes of Almeria). Like the rest of the Spanish pavilion, the decor is elegant, and there is a small armada of trim, bolero-jacketed waiters. $5-$25. The pavilion's No. 2 restaurant, the Granada, serves an all-Spanish menu that features cold gazpacho soup, paella, sangria (red wine with soda) at slightly lower prices than the Toledo...

Author: /time Magazine | Title: The New York Fair: Jul. 3, 1964 | 7/3/1964 | See Source »

What were the criteria of victory? All was explained on a yellowed sheet of parchment locked within the judges' envelope. Had contestants noted, for example, that "Chocolates," "Elsie," "Parietals," and "Joust" were grossly misspelled? Had they recognized that "Bacterium" is singular, whereas "Cocci" is plural...

Author: NO WRITER ATTRIBUTED | Title: Crostic Winners | 5/8/1964 | See Source »

JOHNNY FRIEDLAENDER-Lefebre, 47 East 77th. In marked similarity to his etchings, 15 of which are included in this show, the watercolors of one of Europe's best-known graphic artists are exquisite linear abstractions. Friedlaender's soft-focus shadings on old parchment, brightened by occasional glimmers of red and blue, reveal a fancy and poesy akin to Klee. Through...

Author: /time Magazine | Title: Art: Art in New York: Jan. 3, 1964 | 1/3/1964 | See Source »

Dunne loathed no one more than H. G. Wells, who belonged, he said, to the "Take-It-Aisy School of Socialism." With great fanfare, writes Dunne, Wells once met the "taciturn, cynical Lenin with his yellow skin drawn like parchment over his high cheekbones, his little restless eyes, his great bald head looking as if it might have been hewn out of yellow pine with an adze. And here was little Wells, earnest, honest, conceited, describing in his falsetto voice the British conception of a Secialist Utopia of semidetached villas with a pot of geraniums in each window. When...

Author: /time Magazine | Title: Books: Montaigne with a Brogue | 12/27/1963 | See Source »

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