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...couple feels fortunate that aside from the conflict with Nauert’s family, which they attribute more to his parents?? worries about commitment than to homophobia, they have faced few other difficulties in being public with their same-sex relationship...

Author: By Alice E. M. Underwood, CRIMSON STAFF WRITER | Title: Bells for Beaux | 12/7/2009 | See Source »

...usual. Doesn’t look at me (as usual, except in a FRIENDLY way).” Once the new generation, Irie and Millat, becomes old enough for their own narratives, the focus on character voice wavers. But their struggles to assimilate are no less universal than their parents?...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: Towards a Post-National Novel | 11/13/2009 | See Source »

...lose your soul.” For most Harvardians, this piece of golden advice has been ignored for the siren call of the corporate world and its fat paychecks. However, with Wall Street in shambles and seniors desperately clawing for anything come graduation besides moving back into their parents?? basements, there seems to be a move away from the traditional I-Banking or consulting route toward the nobler frontier of social enterprise. Is this just a momentary fad that will fade into obscurity much like the Segway or going to class? Or is it possible that students...

Author: By Anna M. Yeung, CONTRIBUTING WRITER | Title: The Business of Giving Back | 11/12/2009 | See Source »

...well as the relationships between them. Distorted images of hands, the placement of the figures, and the colors employed in the two paintings all serve to metaphorically depict the three subjects and their interactions with the world around them.“I used hands to express my parents?? personalities and how they view the world,” Escobedo says. “My mother’s hands are big; they are reaching out to the world, because she grasps outwardly for things. My father is very internal and very rational, so all of his hands...

Author: By Jenya O. Godina, CONTRIBUTING WRITER | Title: Escobedo Exhibit Makes SOCH Penthouse Personal | 11/6/2009 | See Source »

...however unambitious—dynamic of existential dread, is not the one Von Trier adopts for the propulsive force at the heart of the film. Instead, it is the satisfied, almost sly look that the child gives the camera as he turns from the scene of his parents??Freud’s “primal scene”—that remains the only concept throughout all of “Antichrist” that stands, free of contradiction, parody, or comment...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Antichrist | 10/30/2009 | See Source »

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