Word: parisian
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Dates: during 1960-1969
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...softly fragmented technique in his 1792 Portrait of the Marquise de Pastoret foreshadows the pointillism of La Grande Jatte. Gustave Caillebotte's huge (7 ft. by 9 ft.), damply breathtaking Place de I'Europe on a Rainy Day sheds light from a different angle; the wealthy Parisian civil engineer, dealing with a similar promenade scene only seven years before Seurat, builds his woman's figure with much the same solidity, but he toys with reflected light on umbrellas, cobblestones and in the boulevards more realistically than did the later impressionists. Last week the museum unveiled a Rubens...
Rooks' film, though visual poetry of a sort, is equally a selfish attempt at preserving past experience, the act having therapeutic overtones in this case. Chappaqua is Rooks' autobiography, the story of a 27-year-old alcoholic and drug addict who enters a private Parisian sanitarium to take a cure. The film juxtaposes the reality of the sanitarium, its doctors and attendants, with Rooks' drug hallucinations during the tortuous process of the cure, also with memories of past drug visions while still a full-time addict...
Apocryphal or not, this well-known two-liner has long exemplified the anarchy that is the Parisian orchestra. Symphonic life in Paris has almost always been a laughing matter for the rest of the world. Underfinanced, undertalented and underrehearsed, the city's three major, privately backed, week-to-week orchestras (Lamoureux, Colonne and Pasdeloup) slog through their Sunday afternoon old-hat concerts with all the esprit de corpse of Napoleon's army after Moscow. Parisian conservatories turn out some of the best instrumentalists in the world, but they have very little incentive to remain at home. Arturo Toscanini...
Last June, France finally decided to spend the money, and last week a major step was taken to prove Toscanini's theory. Financed jointly by the French and Parisian governments, a new orchestra made its debut-not on Sunday afternoon but on Tuesday night. It was obvious before Conductor Charles Munch's first downbeat at the Theatre des Champs-Elysees that the Orchestre de Paris was a striking departure from the Parisian norm. Its 110 members were predominantly young (average age: 35). They were dressed alike in midnight blue Pierre Cardin tails with shawl collars and burgundy sashes...
Lacoste is much more than a shirtmaker. He is already enshrined in an athletic valhalla that Daughter Catherine may never reach. Son of a prosperous Parisian airplane-engine maker, Lacoste dropped out of mechanical engineering studies to play tennis. He played so well that he was twice Forest Hills and Wimbledon champion as well as three-time champion of France. He was a member of the only French team that ever won the Davis Cup (1927, with Jean Borotra, Henri Cochet and Jacques Brugnon as fellow team members). Lacoste played so fiercely that sportswriters dubbed him le Crocodile. When...