Word: parisian
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Dates: during 1960-1969
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Among the holdovers from the past season, Mary, Mary incites full houses to laugh along with Playwright Jean Kerr. In Camelot, a new King Arthur (William Squire) presides over the Round Table. Irma La Douce is still the most delectable way to tour the Parisian underworld. Broadway's Carnival! yields nothing to its Hollywood model Lili in poignance and charm-and there is always the grande dame of Manhattan's musicals, My Fair Lady...
...Mary, Mary continues to sail along with sellout houses, and Shelagh Delaney's raw and powerful A Taste of Honey is still on the boards, as are the musicals Camelot (Arthur and the Round Table), Carnival! (a Broadway version of the film Lili), and Irma La Douce (Parisian underworld). From the Pleistocene epoch: Fiorello!, a musical replanting of New York's Little Flower; The Sound of Music, the last and most sentimental work of Rodgers and Hammerstein; and, of course, My Fair Lady...
...Arthur and the Round Table), Carnival! (a Broadway version of the film Lili), and Irma La Douce (Parisian underworld). From the Pleistocene epoch: Fiorello!, a musical replanting of New York's Little Flower; The Sound of Music, the last and most sentimental work of Rodgers & Hammerstein; and, of course, My Fair Lady, by George Lerner and Bernard Loewe...
...fourth U.S. plane skyjacked since May, and in this case the skywayman was plainly a mental case. Albert Charles Cadon, 27, was a Parisian who settled in Manhattan in 1957, tried his awkward hand at abstract painting, wound up as a busboy. Late last year he spent time in a psychiatric ward; later, Cadon raided the Chemstrand Corp.'s Empire State Building offices and smeared display posters with black paint in protest against a new fiber that, he said, had been named "Cadon'' without his permission. Fortnight ago, Cadon left his German-born wife in New York...
...Jean Kerr's Mary, Mary continues with sellout houses, and Shelagh Delaney's raw and powerful A Taste of Honey is still on the boards, as are the musicals Camelot (Arthur and the Round Table), Carnival! (a Broadway version of the film Lili), and Irma La Douce (Parisian underworld). From the Pleistocene epoch: Fiorello!, a musical replanting of New York's Little Flower; The Sound of Music, the last and most sentimental work of Rodgers & Hammerstein; and, of course, My Fair Lady, by George Lerner and Bernard Loewe...