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...Chinoise reduces style to static set-ups and simple tracks ("The tracking snot is a political act," says Jean-Luc mystically); color is stripped largely to the primary range. Both decisions complement the didacticism of the young Parisian Maoists by omitting all but the starkest and most basic cinematic devices, also by reminding us constantly that we're watching a movie. Perversely, the lean movements and bright colors give La Chinoise charm and humor (not, I suspect, two of Godard's favorite critical adjectives) and make its polemicism entertaining...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

CORSICAN brigands, Algerian footpads, Parisian safecrackers and other prowlers in the French underworld learned last week what they were missing by practicing crime at home 'instead of abroad in the U.S. A recent issue of Figaro printed excerpts from My American Prisons, a new book by Parisian Jacques Angelvin, 54, who describes his five years of confinement in half a dozen U.S. jails. Responding to the author's Michelinesque approach, Figaro also displayed appropriate symbols to indicate the comfort, cuisine, amenities, amusements and other facilities offered by American jails...

Author: /time Magazine | Title: Nation: Three Bars for Dannemora | 12/6/1968 | See Source »

...noted as the intellectual Parisian humanist. He strove with a stoiclucidity to reaffirm man's nobility in a warring age that seemed to defy that nobility. Actually, he was also a sensualist, a "Black Romantic" who found ecstatic revelations on the sun-soaked shores of his native Algeria. This poetic sensualism flavors Lyrical and Critical Essays, now collected and published for the first time in English...

Author: /time Magazine | Title: Books: Intellectual Sensualist | 11/8/1968 | See Source »

...sixty-two Henri Cartier-Bresson seems to be as much on the move as he ever was. He supposedly does not develop or print his own pictures, entrusting this to a carefully supervised assistant, because he is too busy in the field. His photographs of Parisian students in the streets, taken less than two weeks before the exhibition opened in New York, show his total involvement with contemporary events. His pictures betray a thoroughly contemporary drive to discover what is true about the events, without irony or prejudice of the old or the establishment. Students, arm in arm, stream into...

Author: By Betsy Nadas, | Title: Cartier-Bresson | 11/5/1968 | See Source »

...Norris." Unfortunately, that is also the drift of Sagan's seventh novel, which is a little more weird than her usual blend of native wit and updated Colette. The characters and setting are American, but Dorothy Seymour, Hollywood scriptwriter, may as well be one of Sagan's Parisian cocottes: she wears St. Laurent copies, vacations on the Riviera, suffers liver attacks and has a quintessentially Gallic attitude toward love. Her latest suitor, Paul Brett, is another familiar Sagan figure, the older protector, handsome, successful, slightly triste-well he may be, putting up, as he does, with the fickle...

Author: /time Magazine | Title: Books: Francoise Goes to Hollywood | 11/1/1968 | See Source »

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