Word: parisian
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Miss Earhart is an experienced pilot, licensed in May, 1923, a former holder of the altitude record for women fliers, but Miss Boll was led to take up trans-atlantic flying last summer by the ambition to show New Yorkers her Parisian sweater woven from gold links. Lady Lindy flies in a trimotored Fokker, equipped with pontoons and two radio sets, while the Diamond Queen has chosen the single-motored Columbia, trans-atlantic veteran with no pontoons and no radio. Backing Miss Earhart are the advice of Commander Byrd, the promoting wisdom of George Palmer Putnam and the wealth...
Fazil. Charles Farrell is a capable cinemactor, particularly in the role of an earnest young man. But here he is greased up like the late Rudolph Valentino and made to register Arabian passion under the erogenous name of Prince Fazil. The also warm Greta Nissen, as a Parisian blonde called Fabienne, spends many film feet in his arms and on his lips-be the place Paris or Venice or the desert sands. They get married, quarrel, make up, etc. And finally, DEATH-Prince Fazil, mortally wounded by bandits, takes off his poison ring and lovingly punctures the white finger...
...Tiger Lady. With Adolphe Menjou in the costume of a Rajah, well-nigh anything is rather more than likely to happen. He is not, however, a real Rajah; but only a "super" in a Parisian revue. He yearns for the haughty leading lady (Evelyn Brent) who keeps counts & dukes, likes to go to the zoo. She puts "Super" Menjou to her favorite test: he must enter a tiger's cage and rescue her silk gloves. Approaching the beast, he notes with pleasure that it had died the night before. He does the proper thing...
...sick of the sweet and dreary musical comedies which littered Broadway, he produced The Follies, a revue which took its name from the Parisian Folies Bergères and duplicated its gay and daring makeup. New Yorkers, at this time innocent of the malpractice which has since become famous as the "buttock and leg show," danced with frantic eagerness to see what Ziggy* had done. They discovered over the door the legend which, however inaccurate or uncomplimentary it may have seemed, described its author's business in terms that have been remembered. "Glorifying the American Girl" was the legend...
...Dresden, Vienna, and Paris combined have nothing in the way of feminity to rival her. She portrays dramatically--a la bare back and silver wig--a woman whose ruined life was brought about through her husband's indifference. A railroad wreck, gambling dens in full blast, interiors of choice Parisian restaurants, and sorrowful close-ups of Pola drenching her little girl with a shower of joyful tears at the end, make the picture very enjoyable for students leading suppressed lives and rebelling against the monotonous humdrum of Cambridge...