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...Frenchmen Etienne Carjat and Jean-Eugene-Auguste Atget capture the romanticism of rainy Parisian streets and of distinguished bearded gentlemen. Gertrude Kasebier explores the classic form of mother and child. And Alfred Stieglitz a papa in photographer and a great art lover, introduced the American public to Picasso, Matisse and others. His misty streets in "Glow of Night. N.Y.," and the rippling reflections of "Venetian Doorways," are nicely juxtaposed to point out staccato reflections in wet surfaces...

Author: By Meredith A. Palmer, | Title: Photography At the Fogg | 11/22/1971 | See Source »

...casual Parisian passerby, the contraptions look like smokestacks or versions of Colonnes Morris, pillars handy for posting theatrical notices. Actually, the two 16.5-ft.-tall towers just erected in the Gare de Lyon section of Paris are huge, electrically driven vacuum cleaners designed to suck in dust, filter it and blow clean air out the top. "Clear the air! Wash the wind! Clean the sky!" as T.S. Eliot put it. If tests made of the surrounding air show that the towers really work, 50 to 100 more may be set up around the city. But that would require more electricity...

Author: /time Magazine | Title: Environment: Washing the Wind | 11/1/1971 | See Source »

...Married. Jacques Chaban-Delmas, 56, French Premier, longtime Gaullist and World War II Resistance leader; and Micheline Chavelet, 42, Haiphong-born Parisian divorcee; she for the second, he for the third time; in Bordeaux, France...

Author: /time Magazine | Title: Milestones, Oct. 11, 1971 | 10/11/1971 | See Source »

...Hopper took off for Paris, returning twice in the next several years. Typically, he took no part in the Parisian whirl, where Picasso and Braque were busy trying to revolutionize painting. He remained a light-struck realist to the end of his days. His early work shows, however, that the shapes and, above all, the light of Paris, as well as the Impressionist ambience, did much for his eye and his palette. Back in the U.S., the attractive blur of Impressionism vanishes from his oils. The light flattens, shadows are sharper and more sculptural, forms grow increasingly solid and defined...

Author: /time Magazine | Title: Art: Light and Loneliness | 9/27/1971 | See Source »

Ingres arrived in Rome in 1806 with a scholarship he had won to the French Academy there. He was 26, already known as a Parisian prodigy; he came to a town whose social and intellectual life seems to have struck him as a mere echo of what he had known in Napoleon's Paris. A few weeks after settling into the Villa Medici, he wrote to his fiancee in Paris, Julie Forestier: "I cordially loathe Rome ... it is very beautiful, but, in a few words, everything is provincial compared to the great city of Paris." Rome slowly seduced...

Author: /time Magazine | Title: Art: Probity in Rome | 1/25/1971 | See Source »

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