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...Parisian Pollyanna. A national institution since she burst on the Seine in a 1959 bestselling novel, Zazie has become almost as influential as Colette's Gigi at the height of La Belle Epoque. Critics have compared Zazie's creator-Raymond Queneau, a distinguished poet and chief reader at the Gallimard publishing house-to Flaubert, Stendhal, Hugo and Hegel. (One angry dissenter: Nobel Prize Laureate François Mauriac...

Author: /time Magazine | Title: MOVIES ABROAD: L'Enfant le Plus Terrible | 11/21/1960 | See Source »

...Director Louis (Les Amants) Malle: "She's actually the angel come to announce the destruction of Babylon." Still others have compared her to everyone from Joan of Arc (defending popular virtues against monarchists with Napoleonic delusions) to Lolita. In fact, Zazie is less of a Lolita than a Parisian Pollyanna, for she is a warmhearted fille, completely uninvolved in the sordid sex life that she is always talking about...

Author: /time Magazine | Title: MOVIES ABROAD: L'Enfant le Plus Terrible | 11/21/1960 | See Source »

...search of his star, Director Malle interviewed hundreds before settling on Catherine Demongeot, now 10, a Parisian house painter's daughter who, as film legend naturally had it, was the only applicant to come without her mother and by subway. Somehow, she learned her scatological dialogue and emerged from the unusually rich experience unscathed-except for the fact that she fell in love with her director...

Author: /time Magazine | Title: MOVIES ABROAD: L'Enfant le Plus Terrible | 11/21/1960 | See Source »

...Living on the edge of the Bois," he wrote, "she found it gave her landscape enough: trees, the gleaming lake, and sometimes ice for skaters. She contented herself with nature's Parisian parsimony, taking from it what it gave: the themes for some exquisite works...

Author: /time Magazine | Title: Art: The Feminine Impression | 11/21/1960 | See Source »

Flow of Words. The author's heroine is shatteringly beautiful, amoral, narcotically charming, and men queue up to destroy themselves for her. Such a description might come from any dust jacket, but Novelist Ashton-Warner's portrait is all but unique. Germaine de Beauvais. a young Parisian concert pianist who exiles herself to New Zealand after the death of her husband, is a woman as convincingly evoked as Emma Bovary or Molly Bloom. The narrative is a first-person reverie; a stream of consciousness, then a torrent, then a willful, feminine shutting down of thought. Germaine is mirrored...

Author: /time Magazine | Title: Books: Sacred & Profane | 10/31/1960 | See Source »

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