Word: parlorized
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Dates: during 1980-1989
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...Baskin-Robbins, now owned by a European-based conglomerate, started out in California in the 1940s as a two-man operation, with Brothers-in-Law Irv Robbins and Burt Baskin scooping furiously. Another pioneer scooper is Earl Swensen, 69, who still owns his original San Francisco ice-cream parlor. Ten years ago, he sold the chain it gave birth to, however, and Swensen's, which has a shop in the Singapore airport, among many other places, recently opened its 300th franchise...
...place of the traditional seven-year-old boy who must be bribed with dasher-licking rights before he will turn the crank of the hand freezer, they use a reduction gear to make the paddles of the freezer in their wholesale plant turn slowly enough. At their ice-cream parlor, a rowdily redecorated former gas station, an elderly White Mountain Freezer Co. rock-salt-and-ice contraption chunks away serenely in a position of honor. It is powered by a senile electric motor but otherwise, wooden tub and all, it is a 5-gal. enlargement of the traditional hand-turned...
Stevie awkwardly mingles cinematic language (flashbacks in sepia) and theatrical style (asides spoken into the camera). The core of the film - the domestic life of Stevie and her "lion aunt" - is insistently naturalistic, yet Stevie is as cluttered with brickbat metaphors as the cottage parlor is with bric-a-brac. But if the camera eye too often blinks, the film's mind and heart are humanly acute. The dialogue deftly threads domestic chitchat and Big Themes: the detachment of the artist, the terrifying uncontrollability of life. And at the film's center is the simple trust binding...
...went to war in 1965, he is fond of telling visitors, the raciest thing in the media was Clark Gable telling Vivien Leigh: "Frankly, my dear, I don't give a damn." Returning to America from the P.O.W. camps, he had to ask his wife what a massage parlor was. He still sees explicit sex as an "alien element" in our heritage. He passionately wants "to restore patriotism, especially among opinion formers, the people in the media and education." And he is unfazed by opposition, even mockery of his convictions for being naively overwrought. "I'm going...
...tale with vivid examples. His heroes carom off two patrolmen dubbed "street monsters" for their appetite for violence; a Marine posing for gay sculptors; the Ferret and the Weasel, a pair of frenzied narcs; a Vietnamese assassin; Tuna Can Tommy, a flasher with a phenomenal physique; and a massage-parlor hostess called Jackin Jill...